There’s nothing sensible about this on the face of it, as the band promote their music as “free jazz, avant-prog”, or as the editor said “screamy sax in squat madness” As they’re French, the sensible would translate as “sensitive” maybe… Continue Reading →
There’s experimental and there’s experimental. I read that “Virgin Cuts”, the band’s fifth album, “leads the listener into a sonic loophole between noise-infested rock, droney landscapes, new age minimalism and dusty afro-tripping”. Sure enough, although each of these strange pieces… Continue Reading →
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