The cult of Stephen Patrick Morrissey and the Smiths looms large in the lore of Indie and guitar based pop. For what was a relatively brief existence (1982- 87) The Smiths have had a lasting effect on the music world. Love em or hate em their Rickenbacker jangle guitar lines… Continue Reading →
Third album from a bunch of Chicago thrashers, apparently. Not having heard of them previously, I kind of take that on faith as I hit play and ‘The Howling Dead’ scampers out of the gate. It’s a nifty little opening… Continue Reading →
Commenting on last and self-titled album back in 2018 our reviewer stated “Fuck. This is horrible. This is horrible in a thick, black, filthy way.” For some reason they did not come back for a second diseased dose leaving it… Continue Reading →
From simply the cover of this new album by David Mako’s The Devil’s Trade project it is clear there are changes afoot. Gone are the stark line drawings and clear titles, instead (appropriately enough considering the label) we get a… Continue Reading →
I took a saunter up the A1 and arrived at Newark County Showground. My objective was not to look at prize bulls, but to enjoy a day at UK TechFest. I have been a day tripper to this four-day event… Continue Reading →
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