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Ofdrykkja – Irrfärd (Avantgarde)

Ofdrykkja has come a long way since its first release, the beguiling (if that’s the right word for a self-confessed depressive suicidal black metal band) and harrowing A Life Worth Losing in 2014. Back then things were strictly lo-fi but… Continue Reading →

Albums Of The Year 2017

PETE WOODS (EDITOR): TOP 20 As others will re-iterate it’s been a crazy year for good music releases and anyone who tells you otherwise is quite frankly a fool. The biggest problem has been keeping up with it all and… Continue Reading →

The Clearing Path – Watershed Between Firmament and the Realm of Hyperborea (I, Voidhanger)

Gunning for longest album title of the year contender with a late entry comes The Clearing Path with, er, well, let’s just call it ‘Watershed’. (Ok, I realise that this is black metal and the consumption of an entire Thesaurus… Continue Reading →

Greytomb – Monumental Microcosm (Transcending Obscurity)

This Australian band’s debut in 2016, “A Perpetual Descent”, plunged listeners into a quagmire of atmospheric murky blackened horror linking outright riffing malfeasance with dramatic soundscapes that surrounded the songs on multiple levels. Not much has changed generally as the… Continue Reading →

Nortt – Endelight (Avantgarde Music)

It seems that this year there has been no shortage of kvlt edge-lords thinking it is clever releasing albums over the festering period. It’s not like most of them will find their way into the few remaining record shops around… Continue Reading →

Transylvania Stud – The Red Queen (Transcending Records)

Whether a stud or not Andrew Godfrey calls Virginia home and not Transylvania but luckily this EP has something worthy of sinking its teeth into. Looking at his adopted moniker here you may well expect some sort of Finnish glam,… Continue Reading →

Eternal Helcaraxe – In Desperate Times (Naturmacht Productions)

Somewhere around five years ago I reviewed the debut album by this Irish band, and was very taken with its blend of Viking aggression and melody, even if ‘Invictus’ is probably the best song Amon Amarth never wrote. Then silence…. Continue Reading →

Sawhill Sacrifice – Pimeyteen Ja Kuolemaan (Wolfspell Records)

With ‘Pimeyteen Ja Kuolemaan’, roughly translated as ‘Into Darkness and death’, you are launched straight into a grand, orchestral intro from these Finns, and they set down their intentions from the offset. The opening track, ‘Kutsu’, is an instrumental which… Continue Reading →

The Howling Void – The Darkness At The Edge Of Dawn (Avantgarde Music)

Ryan Wilson is the man behind USA act The Howling Void and I have delved into a couple of their 6 albums in the past. He’s a busy chap, also involved in other bands such as Intestinal Disgorge (who I… Continue Reading →

Deathcult – Cult Of the Goat (Soulseller Records)

With the pedigree that this trio exhibit, this record should be astronomical in its deliverance of pure, raw, dirty black metal, and it should be a true masterclass in the production of blasphemous black arts. The trio, made up of… Continue Reading →

Interview- Clouds Taste Satanic

If any readers have had the misfortune to read my reviews on a regular basis, you may have noticed that for the last few years I’ve been lucky enough to be chosen to review the music of Brooklyn’s instrumental self-described… Continue Reading →

Tongues – Hreilia (I, Voidhanger Records)

Since their first EP offering in 2014, Tongues have kept a low profile. The Danes haven’t been lying idle though. Mixing black, death and doom metal, they have now released their debut full length, “Hreilia”; a dark dreamscape steeped in… Continue Reading →

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