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Music is much like a fine wine, the best is often in the vintage. I mean, don’t get me wrong new is good too (I’d be a pretty awful reviewer if I hated anything modern). Yet still it’s often the… Continue Reading →
Their bio says that while they are currently in Nottingham, UK, they hail from the east coast of South Africa, which I have an issue with, as that’s over 2000km worth of coast to figure out where they come from…. Continue Reading →
This bombastically titled album from Alaskan band Yaldabaoth ’is a study of disgust, contempt, and mockery for all of religion’s existential justifications. The frenzied fury of the opening track “Fecund Godhead Deconstruction” puts us well and truly in the mood…. Continue Reading →
Having previously released a digital and cassette version of this EP in December 2019 Polish label Fallen Temple has seen fit to reissue it on CD format and digitally again. Hailing from Chile, the band has that unique grisly South… Continue Reading →
Right, no fannying about…. Wombbath are the nuts. What do you need to know? Well, despite having released their first demo in 1992, the band originally only recorded one album the classic “Internal Caustic Torments” in 1993 before sadly chucking… Continue Reading →
Imagine your computer used an algorithm to compose Bach-like music but its only real-world reference was the music it has heard you play, and you will understand the essence of Master Boot Record. Baroque refrains mix with chiptunes and heavy… Continue Reading →
Not being familiar with this lot from Australia other than knowing they have put out a few albums, I was kind of expecting some rabid bestial filth somehow. What I got however whilst no less aggressive was…more focussed. The album… Continue Reading →
Ah yes, although not reviewing it myself I remember this Spanish trio’s last album ‘Vacvvm’ (2018) well. A spin today to reacquaint myself with it proved just what a potent slice of orthodox blackness it is and the band have… Continue Reading →
First a word about the label. Dur et Doux “defends a singular vision of amplified music”, they tell us. I have experienced the music of Ni and PoiL, both on the label roster, and it’s clearly a collective for interesting… Continue Reading →
For a debut album, Finnish band Nerve Saw (great name), seem to be existing an almost monistic existence from a virtual world perspective with very little in terms of a social media presence. It’s almost as if the band are… Continue Reading →
It’s been three years since Mastodon released the magnificent Emperor of Sand, and with an almost flawless back catalogue it was with some intrigue that I listened to this, their eighth studio album… Hang on a minute… Are you telling… Continue Reading →
It’s somewhat unusual in this day and age for a label like Nuclear Blast to take a punt on a new prospect, however, seeing as Monte Connor got it right more often than not during his years with Roadrunner, benefit… Continue Reading →