When I first saw the cover to King Woman’s sophomore album Celestial Blues, depicting mastermind Kristinia Esfandiari as the fallen angel Lucifer, photographed from behind, with a torn garment, in an outfit alluding to sex, the back featuring raw, open… Continue Reading →
In music, inheriting a legacy can be a both a blessing, and a potential curse. For example, it can mean there is already a fan base, but there is also the danger of not living up to what came before,… Continue Reading →
There’s nothing sensible about this on the face of it, as the band promote their music as “free jazz, avant-prog”, or as the editor said “screamy sax in squat madness” As they’re French, the sensible would translate as “sensitive” maybe… Continue Reading →
You suffer, I suffer, we all suffer. With a name like this one could expect Suffer Yourself to play grindcore but the track lengths and label suggest something quite different. This Swedish / Ukranian act are new to me and… Continue Reading →
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