When you’re into anything for too long you begin to get very grumpy. What would’ve amazed you a couple years ago swiftly fades into the realms of the generic. This has very much been the case for me and Tech… Continue Reading →
Gothenburg doomsters Altareth finally drop their debut long player “Blood” after having formed in 2013. Theirs is a classic, fuzzed up doom sound drawing from the well of the masters but also taking influence from as far afield as Opeth… Continue Reading →
Described as a cosmic free jazz orchestra, Zaäar are clearly not short of ideas as they embark upon this 90-minute journey. With the sounds of a saxophone, trumpet, synths, flutes, drums and electric bass, this always had the makings of… Continue Reading →
There are just some bands that you know transcend norms. It turns out to be twelve long years since the Swedish Doomsters produced their last album, “Mammon’s War”. What’s more worrying is that I reviewed that piece of work and… Continue Reading →
Coming from the same camp as sleepmakeswaves and We Lost the Sea, cinematically-inclined instrumental post-rock band clayhands – it’s all in the lower case – now enter the scene. I liked the symphonic start. With a patient build up, there… Continue Reading →
The continuous evolutionary flux of Emma Ruth Rundle has been fascinating to follow and listen to – from her time in Marriages, to her solo material and collaborations with Chelsea Wolfe and Thou, she is always pushing sonic boundaries, revealing… Continue Reading →
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