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Author Spenny

It is now a new decade, and the last time my Ave Noctum bio was updated, it was 2014. So much has changed since then, not least my time ravaged hulk having reached its half century. Vinyl has gone from being a thing of memory to a thing for the trendy and hip (but try going for a walk with that stereo in your pocket!), and tapes have gone from being a best forgotten “fragile”, in every sense of the word, memory, to the most kvlt of the kvlt and grimm offering! What has not changed, however, is my dedication to hard rock and heavy metal. Indeed, my formative years were saturated by the likes of Cream, Deep Purple, Queen, Pink Floyd, Black Sabbath, Genesis, Yes, and their ilk, as well as healthy chunks of Motown on the turntable that was the pre-internet stereophonic centre for entertainment in my mother's 70's single parent household, and my first “concert of choice” (I exclude some I was taken to/performed in against my will) was Motörhead in 1984 in Manchester. However, after living through the heyday of thrash when the “Big Four” were young and hungry, I still revel in the new generations of musicians who rally against the written by committee and autotuned blandness of modern popular music. Every couple of years the popular press features articles about “the death of rock”, whilst lauding the latest autotuned flash in the pan act, and then does a volte face to promote a short lived NME bait guitar act, but the fact is that metal and hard rock lives, and indeed thrives, below the radar of popular consciousness, and I, like my fellow Ave Noctum scribes, revel in that world. So, keep reading, keep supporting the scene you love by buying the music, purchasing merch, and going to the shows, and here's to another decade of excellent music that sticks a stiffly raised middle finger in the direction of popular opinion.

Nephila – Nephila (The Sign Records)

Okay, I’m beginning to think there is some sort of conspiracy at work. Another review, another band I’ve never heard of, again, it’s a pretty bloody good album, and again, it hails from Sweden? How on earth does that land… Continue Reading →

Alastor – Onwards and Downwards (Riding Easy Records)

Another review, and yep, another rant about those damnably prolific Swedes! How the hell do they keep on nurturing such a massive underground scene with such a comparatively small population? Is it the long winter nights that force creativity to… Continue Reading →

Mushroom Giant – Painted Mantra (Bird’s Robe Records)

As I’ve typed for the benefit of visitors to this site before, if you are only interested in the most “brootal” of screamed metal vomited into a microphone by somebody with a face painted like a badger, click away right… Continue Reading →

The Mammuthus – Last Trumpet of a Giant (Sliptrick Records)

The Mammuthus hail from the Swedish city of Trollhättan, which according to an online search is the seat of Trollhättan Municipality, Västra Götaland County, Sweden, with 59,058 inhabitants in 2019. Well, what does that little bit of googling have to… Continue Reading →

Domkraft – Seeds (Magnetic Eye Records)

I’ve opined this many times before in prior online ramblings, but damn me if Sweden doesn’t produce more bands per head of population than pretty much any other nation in the world, and that’s just in the realms of hard… Continue Reading →

Solar Sons – Chameleon (S/R)

Folks, let me quote a few statistics that are salient to both me and this review:  when I left London in 2014 for Dundee, the local population was reckoned at about 8.5 million, excluding the many “beds in sheds” residents… Continue Reading →

Superlynx – Electric Temple (Dark Essence Records)

Whilst it is true that with all the bobbins associated with Covid-19, whilst some individual days may well drag, for me, who has been fortunate enough to be working full time and getting drowned in overtime, the last two years… Continue Reading →

The Limit – Caveman Logic (Svart Records)

Okay, I’m on the internet, and I know it can be unforgiving, so let me get the “elephant in the room” out of the way: Bobby Liebling has done some shite stuff in the past, and there is no denying… Continue Reading →

Band of Spice – By The Corner Of Tomorrow (Scarlet Records)

Do you like your hair big, and your denim doubled?  Do you miss the days when there weren’t a multitude of metal genres and subgenres, with tuts and sneers from assorted divided camps?  Hell, do you miss the days when… Continue Reading →

Clouds Taste Satanic – Cloud Covered (S/R)

If for whatever bizarre reason you’ve read my inane ramblings over the last few years, you will know that Clouds Taste Satanic is a band I massively admire.  Their instrumental doom music is of a scope that is positively cinematic,… Continue Reading →

Five The Hierophant – Through Aureate Void (Dark Essence Records)

Dark Essence Records is a Norwegian label that specialises in extreme and black metal, sounds beloved of those wearers of corpse-paint, but subgenres of the music I love that really do not float my boat.  As such, for me to… Continue Reading →

Ricky Warwick – When Life Was Hard And Fast (Nuclear Blast)

Longevity is not something that Rock music was originally founded on, with established musical forms, and the establishment itself turning up their collective noses and dismissing what was new. As that sound continued beyond all initial estimations of demise, well,… Continue Reading →

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