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Author Spenny

It is now a new decade, and the last time my Ave Noctum bio was updated, it was 2014. So much has changed since then, not least my time ravaged hulk having reached its half century. Vinyl has gone from being a thing of memory to a thing for the trendy and hip (but try going for a walk with that stereo in your pocket!), and tapes have gone from being a best forgotten “fragile”, in every sense of the word, memory, to the most kvlt of the kvlt and grimm offering! What has not changed, however, is my dedication to hard rock and heavy metal. Indeed, my formative years were saturated by the likes of Cream, Deep Purple, Queen, Pink Floyd, Black Sabbath, Genesis, Yes, and their ilk, as well as healthy chunks of Motown on the turntable that was the pre-internet stereophonic centre for entertainment in my mother's 70's single parent household, and my first “concert of choice” (I exclude some I was taken to/performed in against my will) was Motörhead in 1984 in Manchester. However, after living through the heyday of thrash when the “Big Four” were young and hungry, I still revel in the new generations of musicians who rally against the written by committee and autotuned blandness of modern popular music. Every couple of years the popular press features articles about “the death of rock”, whilst lauding the latest autotuned flash in the pan act, and then does a volte face to promote a short lived NME bait guitar act, but the fact is that metal and hard rock lives, and indeed thrives, below the radar of popular consciousness, and I, like my fellow Ave Noctum scribes, revel in that world. So, keep reading, keep supporting the scene you love by buying the music, purchasing merch, and going to the shows, and here's to another decade of excellent music that sticks a stiffly raised middle finger in the direction of popular opinion.

The Spacelords – Unknown Species (Tonzonen Records)

It’s been four years since I last reviewed an album by Germanic psychedelic trio The Spacelords, the esteemed editor having given judgement on their 2020 release (see Ave Noctum passim), so it will be interesting to discover how they have… Continue Reading →

Apostle of Solitude – Until The Darkness Goes (Cruz del Sur)

It’s fair to say that for many reasons the last couple of years have been a real pisser with pretty much all but essential trade and businesses prevented from carrying on, and there only now being a slow return to… Continue Reading →

Monolord – Your Time To Shine (Relapse)

Well, well, well, whoda thunkit? Once again the esteemed editor of this online zine you are reading has decided that what I need is yet more music hailing from the land of Sweden, and you know what, he’s damn right!… Continue Reading →

Lucifer – Lucifer IV (Century Media)

You know, when writing reviews, sometimes the words just flow and the whole thing can be composed, typed up, cleaned up, and submitted in the time it takes to listen to an album a mere two or three times.  Other… Continue Reading →

Green Lung – Black Harvest (Svart Records)

Within any music industry, year in and year out there are endless lists of “rising stars”, “ones to watch”, or “the sound of (insert year here)”.  The vast majority of these acts will be the darlings of journalists more pretentious… Continue Reading →

Wooden Fields – Wooden Fields (Argonauta Records)

Greetings fellow retroanauts.  Are you ready to swing your flares to the unashamedly back in time sounds of Wooden Fields?  Do you believe every t-shirt you wear should be both “tied” and “dyed”?  If the answer is “yes”, well grab… Continue Reading →

Trouble – One For The Road / Unplugged (Hammerheart Records)

Trouble is a band that I have a very long relationship with, well over thirty-five years and counting (I have tickets to their 2022 Glasgow show pinned to a board in my living room, even though I don’t even know… Continue Reading →

Duel – In Carne Persona (Heavy Psych Sounds)

If you’ve ever had the dubious pleasure of bumping into me, whilst my age is apparent, what is not immediately obvious is that my education was quite posh, well, as posh as you could manage living in Manchester in the… Continue Reading →

Cripta Blue – Cripta Blue (Argonauta)

Hooray and huzzah! Why the celebrations you may well ask. Well, for once I have a decent excuse for not having heard of a band that the editor sends me to review as it is new as opposed to one… Continue Reading →

Goatfather – Monster Truck (Argonauta)

Oh, tricksy editor! Coming blurry of eye off a night shift I had a quick scan of his message offering me a couple of albums to review, and I went, “Monster Truck, excellent”, being a fan as I am of… Continue Reading →

Hour of 13 – Black Magick Rites (Shadow Kingdom Records)

In the world of underground music that Ave Noctum makes its lair, there are any number of one-man bands, frequently in the niche corners of black metal, living in the basements of their parents whilst screaming evilly into a microphone… Continue Reading →

Spiral Grave – Legacy of the Anointed (Argonauta Records)

In music, inheriting a legacy can be a both a blessing, and a potential curse. For example, it can mean there is already a fan base, but there is also the danger of not living up to what came before,… Continue Reading →

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