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Author Spenny

It is now a new decade, and the last time my Ave Noctum bio was updated, it was 2014. So much has changed since then, not least my time ravaged hulk having reached its half century. Vinyl has gone from being a thing of memory to a thing for the trendy and hip (but try going for a walk with that stereo in your pocket!), and tapes have gone from being a best forgotten “fragile”, in every sense of the word, memory, to the most kvlt of the kvlt and grimm offering! What has not changed, however, is my dedication to hard rock and heavy metal. Indeed, my formative years were saturated by the likes of Cream, Deep Purple, Queen, Pink Floyd, Black Sabbath, Genesis, Yes, and their ilk, as well as healthy chunks of Motown on the turntable that was the pre-internet stereophonic centre for entertainment in my mother's 70's single parent household, and my first “concert of choice” (I exclude some I was taken to/performed in against my will) was Motörhead in 1984 in Manchester. However, after living through the heyday of thrash when the “Big Four” were young and hungry, I still revel in the new generations of musicians who rally against the written by committee and autotuned blandness of modern popular music. Every couple of years the popular press features articles about “the death of rock”, whilst lauding the latest autotuned flash in the pan act, and then does a volte face to promote a short lived NME bait guitar act, but the fact is that metal and hard rock lives, and indeed thrives, below the radar of popular consciousness, and I, like my fellow Ave Noctum scribes, revel in that world. So, keep reading, keep supporting the scene you love by buying the music, purchasing merch, and going to the shows, and here's to another decade of excellent music that sticks a stiffly raised middle finger in the direction of popular opinion.

Bloody Hammers – Under Satan’s Sun (Napalm)

2014 is the third straight year that North Carolina’s own Bloody Hammers have produced a full length album, coming hard on the heels of their self titled 2012 début and last years Spiritual Relics, and during that time they have… Continue Reading →

Crowbar – Symmetry In Black (Century Media)

  Anyone finding and reading this page should have a healthy, or in the eyes of mainstream music press, an unhealthy knowledge of the band and style of music they have been been pumping out in a sea of sludge… Continue Reading →

Oruga – Blackened Souls (Apathia Records)

  Not too long ago, on these very pages, I reviewed a self titled release from France’s own Oruga, designed by the label to be a premonition of what was to come (see original review here: http://www.avenoctum.com/2013/12/oruga-oruga-apathia-records/). As a taster,… Continue Reading →

Satan’s Satyrs – Die Screaming (Bad Omen)

  With few major labels willing to take risks on new and genre music, unless that music is new from a talent show or the genre is the shite that passes for R’n’B these days, it is always good when… Continue Reading →

Pet The Preacher – The Cave and The Sunlight (Napalm)

  There’s some good retro sounding blues rock floating around at the moment, and Pet The Preacher with their first release on Napalm Records ‘The Cave and The Sunlight’ have added an excellent contribution to this resurging genre. However, far… Continue Reading →

Burning Saviours – Boken Om Forbannelsen (IHate)

Those parts of continental Europe closer to the Arctic circle seem to have an ability to throw out class band after class band, particularly in the fields of hard rock and metal that are so close to my heart, and… Continue Reading →

Prong – Ruining Lives (SPV)

Another Prong album, and yet another line-up, the only consistent feature being founder, guitarist, writer, producer and vocalist Tommy Victor, now supported by Jason Christopher on bass and ex-Winds Of Plague drummer Art Cruz. This constant need for reinvention may… Continue Reading →

Sigiriya – Darkness Died Today (Candlelight)

Cards on the table; despite advancing years and over 3 decades of gig going, I am more then capable of acting like an utter twat at a show. One such occasion was in 2011 when at the once inevitable Orange… Continue Reading →

Below – Across the Dark River (Metal Blade)

It is said that imitation is the sincerest form of flattery; having repeatedly listened to the début album from Metal Blade’s latest Swedish doom signing Below, Candlemass must be flattered to the highest of heights! If you’re not put off… Continue Reading →

The Graviators – Motherload (Napalm)

I’ll be honest, I approached this review with a little bit of trepidation. My only prior experience with The Graviators was when they opened for the legendary Saint Vitus back in December 2010 at Camden’s infamous sweat pit The Underworld,… Continue Reading →

Ogre – The Last Neanderthal (Minotauro Records)

Straight out the blocks, I’d like to point out, I’ve never heard of this band, I’ve never heard of their label, and I do this review lark out the simple joy of it. I hope that you appreciate this, and… Continue Reading →

Bong – Stoner Rock (Ritual Productions)

When a band called Bong names their latest album ‘Stoner Rock’, I kind of know what to expect; a THC drenched guitar howl fest? Not a problem. Me, I’m 44, had hair I could sit on long before the internet… Continue Reading →

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