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Author Spenny

It is now a new decade, and the last time my Ave Noctum bio was updated, it was 2014. So much has changed since then, not least my time ravaged hulk having reached its half century. Vinyl has gone from being a thing of memory to a thing for the trendy and hip (but try going for a walk with that stereo in your pocket!), and tapes have gone from being a best forgotten “fragile”, in every sense of the word, memory, to the most kvlt of the kvlt and grimm offering! What has not changed, however, is my dedication to hard rock and heavy metal. Indeed, my formative years were saturated by the likes of Cream, Deep Purple, Queen, Pink Floyd, Black Sabbath, Genesis, Yes, and their ilk, as well as healthy chunks of Motown on the turntable that was the pre-internet stereophonic centre for entertainment in my mother's 70's single parent household, and my first “concert of choice” (I exclude some I was taken to/performed in against my will) was Motörhead in 1984 in Manchester. However, after living through the heyday of thrash when the “Big Four” were young and hungry, I still revel in the new generations of musicians who rally against the written by committee and autotuned blandness of modern popular music. Every couple of years the popular press features articles about “the death of rock”, whilst lauding the latest autotuned flash in the pan act, and then does a volte face to promote a short lived NME bait guitar act, but the fact is that metal and hard rock lives, and indeed thrives, below the radar of popular consciousness, and I, like my fellow Ave Noctum scribes, revel in that world. So, keep reading, keep supporting the scene you love by buying the music, purchasing merch, and going to the shows, and here's to another decade of excellent music that sticks a stiffly raised middle finger in the direction of popular opinion.

Karma To Burn – Arch Stanton (Faba/Deepdive Records)

Better get this one out of the way straight away; if like me, you were wondering where you heard the name ‘Arch Stanton’ before, it’s the grave name where the treasure is buried in ‘The Good, The Bad, and the… Continue Reading →

Blues Pills – S/T (Nuclear Blast)

If you’ve either followed this site, or for some unknown reason followed my mad ramblings, you’ll be well aware of the massive regard I hold for Blues Pills, having previously given glowing reviews for their EPs ‘Devil Man’ and ‘Live… Continue Reading →

Lavagoat – Weird Menace (S/R)

In the last couple of years Lavagoat have released from the dark woods of Canada two of the finest and dirtiest blackened doom albums to have crept across the frozen North and into my play lists, namely the exceptional self-titled… Continue Reading →

Rainbows Are Free – Waves Ahead of the Ocean (Guest Room Records)

Where to start the review for ‘Waves Ahead of the Ocean’, the second album by Oklahoman weirdness merchants Rainbows Are Free?  Firstly, kudos to them for the best song title I’ve come across in years in the form of opening… Continue Reading →

Clouds Taste Satanic – To Sleep Beyond The Earth (Kinda Like Music)

Sometimes this reviewing lark can be a real drag and seem like work, other times, a real gem arrives and restores a bit of faith in the music.  I’m glad to say, Clouds Taste Satanic fall firmly in the latter… Continue Reading →

Corrosion of Conformity – IX (Candlelight)

2014 is turning into a bit of a good year for veteran acts to produce work that is both true to their classic sound, and relevant to today; check out crushing new releases from the likes of Crowbar, Prong or… Continue Reading →

Kadavar – Live in Antwerp (Nuclear Blast)

I can only assume anyone who is reading this review is likely to have heard of Germany’s own retro power trio Kadavar; if not, you must have been living under a stoner, badoom tish! Sorry, bad pun, but I couldn’t… Continue Reading →

Capilla Ardiente – Bravery, Truth and the Endless Darkness (High Roller)

Anyone for a slice of Candlemass inspired South American doom? Forty four years on this planet, and I never thought I’d put those words into one single sentence. The simple fact is that Capilla Ardiente (Burning Chapel) hail from Chile,… Continue Reading →

Sammal – No 2 (Svart)

Firstly, if you expect the cold climes of Northern Europe to produce nothing but corpse-painted, Lucifer worshipping, blood dripping screamers, apparently a result of lack of sun, Seasonal Affected Disorder, and Norse mythology, then Sammal are not for you. If,… Continue Reading →

Cloven Hoof – Resist or Serve (High Roller Records)

If you’re a long term fan of Heavy Metal, there’s a good chance that the Cloven Hoof name is one that you will remember harking back to the late seventies, early eighties surge of fresh young bands from the UK… Continue Reading →

Die Apokalyptischen Reiter – Tief & Tiefer. (Nuclear Blast)

  Three years have passed since Die Apokalyptischen Reiter released their excellent ‘Moral & Wahnsinn’, and to make up for the three year gap they have returned with a double album, ‘Tief. Tiefer’, which translates as ‘Deep. Deeper’, not in… Continue Reading →

Opium Warlords – Taste My Sword of Understanding (Svart)

Svart Records are really firing on all cylinders at the moment. This small, independent label is currently home to such underground stars as Brutus, In-Graved, Domovoyd, Tombstoned, and if you use the search function here with Svart as the criteria,… Continue Reading →

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