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Author Spenny

It is now a new decade, and the last time my Ave Noctum bio was updated, it was 2014. So much has changed since then, not least my time ravaged hulk having reached its half century. Vinyl has gone from being a thing of memory to a thing for the trendy and hip (but try going for a walk with that stereo in your pocket!), and tapes have gone from being a best forgotten “fragile”, in every sense of the word, memory, to the most kvlt of the kvlt and grimm offering! What has not changed, however, is my dedication to hard rock and heavy metal. Indeed, my formative years were saturated by the likes of Cream, Deep Purple, Queen, Pink Floyd, Black Sabbath, Genesis, Yes, and their ilk, as well as healthy chunks of Motown on the turntable that was the pre-internet stereophonic centre for entertainment in my mother's 70's single parent household, and my first “concert of choice” (I exclude some I was taken to/performed in against my will) was Motörhead in 1984 in Manchester. However, after living through the heyday of thrash when the “Big Four” were young and hungry, I still revel in the new generations of musicians who rally against the written by committee and autotuned blandness of modern popular music. Every couple of years the popular press features articles about “the death of rock”, whilst lauding the latest autotuned flash in the pan act, and then does a volte face to promote a short lived NME bait guitar act, but the fact is that metal and hard rock lives, and indeed thrives, below the radar of popular consciousness, and I, like my fellow Ave Noctum scribes, revel in that world. So, keep reading, keep supporting the scene you love by buying the music, purchasing merch, and going to the shows, and here's to another decade of excellent music that sticks a stiffly raised middle finger in the direction of popular opinion.

Monster Magnet – Cobras and Fire (The Mastermind Redux) (Napalm)

As a rule, I really don’t like “remix” albums. In the pop world, the word simply seems to indicate no more than a tweaking of the auto-tune and changing the beat of the drum machine. Even in the world of… Continue Reading →

Windhand – Grief’s Eternal Flower (Relapse)

Windhand’s last album, ‘Soma’, was a near text book example of epic doom, closing off with the masterpiece of crushing desolation that is the thirty minute ‘Boleskine’. Jump forward to 2015 and in order not to be overshadowed, the band… Continue Reading →

Godsleep – Thousand Sons of Sleep (Rock Freak Records)

It would seem that for me, Greek bands I like are somewhat akin to buses; you wait ages for one, and then three come along together. Okay, Craang, Planet of Zeus, and subject of this review, Godsleep, may have been… Continue Reading →

Magister Templi – Into Duat (Cruz Del Sur)

Cruz Del Sur Music is certainly boosting their reputation as a label to keep an eye on, and fast on the heels of recent release by intercontinental doomsters King Heavy (see Ave Noctum passim), comes Oslo’s own Magister Templi with… Continue Reading →

King Heavy – S/T (Cruz Del Sur)

If there was any doubt that the world is getting smaller, eponymous debut LP ‘King Heavy’ must surely be proof, being a band composed of Belgian and Chilean members who released their first EP through a French label, now coming… Continue Reading →

Clouds Taste Satanic – Your Doom Has Come (Kinda Like Music)

I was rather surprised when the editor sent me the new Clouds Taste Satanic CD ‘ Your Doom Has Come’ to review; my first thought being, “They’re bloody prolific as I’m sure I reviewed their last one only a couple… Continue Reading →

Pentagram – Curious Volume (Peaceville)

The history of US doom metal legends Pentagram is one that if written as a novel would just seem too over the top to be even vaguely credible. Despite forming in the early 70’s and numerous close calls with fame… Continue Reading →

Ripper – Third Witness (Black Widow)

Firstly, this is not as I first suspected, a release from the leather lunged air-raid siren vocal chorded singer for hire Mr Owens, rather a release from the resurrected eighties Texan metal heads. That said, first track on ‘Third Witness’… Continue Reading →

Tuliterä – Tulikaste (S/R)

Unlike many folks I know, I don’t have a problem with instrumental albums. Many of the albums I own and play fall into that category, albeit they all seem to be by bands called ‘Symphony’ something or the something ‘Orchestra’;… Continue Reading →

Space Fisters – Vol. 1 (S/R)

Okay, I’ll admit it was the name that first got me interested in this band. As you might imagine the “Space” part whetted my appetite for a bit of intergalactic rock in the fine tradition of Hawkwind, but really, “Fisters”?… Continue Reading →

Black Space Riders – Refugeeum (Black Space Records)

There is an old adage that goes if you have nothing good to say, say nothing at all (dear editor, is that okay?  No!  Oh well.) Here comes the part of this review lark I hate the most, namely being… Continue Reading →

Ecstatic Vision – Sonic Praise (Relapse)

For decades, Ecstatic Vision have been one of those bands about whom so many legends have arisen, but so little is actually known. Was their attempt to poach him after he laid down some guest vocals the real reason Captain… Continue Reading →

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