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Author Spenny

It is now a new decade, and the last time my Ave Noctum bio was updated, it was 2014. So much has changed since then, not least my time ravaged hulk having reached its half century. Vinyl has gone from being a thing of memory to a thing for the trendy and hip (but try going for a walk with that stereo in your pocket!), and tapes have gone from being a best forgotten “fragile”, in every sense of the word, memory, to the most kvlt of the kvlt and grimm offering! What has not changed, however, is my dedication to hard rock and heavy metal. Indeed, my formative years were saturated by the likes of Cream, Deep Purple, Queen, Pink Floyd, Black Sabbath, Genesis, Yes, and their ilk, as well as healthy chunks of Motown on the turntable that was the pre-internet stereophonic centre for entertainment in my mother's 70's single parent household, and my first “concert of choice” (I exclude some I was taken to/performed in against my will) was Motörhead in 1984 in Manchester. However, after living through the heyday of thrash when the “Big Four” were young and hungry, I still revel in the new generations of musicians who rally against the written by committee and autotuned blandness of modern popular music. Every couple of years the popular press features articles about “the death of rock”, whilst lauding the latest autotuned flash in the pan act, and then does a volte face to promote a short lived NME bait guitar act, but the fact is that metal and hard rock lives, and indeed thrives, below the radar of popular consciousness, and I, like my fellow Ave Noctum scribes, revel in that world. So, keep reading, keep supporting the scene you love by buying the music, purchasing merch, and going to the shows, and here's to another decade of excellent music that sticks a stiffly raised middle finger in the direction of popular opinion.

Wretch – S/T (Bad Omen Records)

Right from the off, I need to be honest that writing an unbiased review of this album is going to be a bloody hard thing to do. The Gates of Slumber, Wretch vocalist/guitarist Karl Simon’s prior outfit was one of… Continue Reading →

The Wounded Kings – Visions In Bone (Candlelight)

One definition of a Swan Song is of a metaphorical phrase for a final gesture, effort, or performance given just before death or retirement, and that phrase is one that can be well applied to ‘Visions In Bone’, the last… Continue Reading →

Beelzefuzz – The Righteous Bloom (The Church Within)

With their eponymous 2013 debut, Beelzefuzz pretty much set the bar for what those who also set sail on the good ship retro rock would have to live up to; an album that was simultaneously cutting edge and timeless, it… Continue Reading →

Salem’s Pot – Pronounce This! (Riding Easy)

There can be little doubt that Swedish doom rockers Salem’s Pot have a sense of humour, and don’t take themselves too seriously. What makes me think that, I hear you ask for the purposes of this review? Well, with a… Continue Reading →

Bloody Hammers – Lovely Sort of Death (Napalm)

Since they first appeared on the scene, Transylvania’s own Bloody Hammers have been producing a consistently excellent series of some of the finest records you could hope to find, firstly on SoulSeller Records before being signed to the ever growing… Continue Reading →

Blues Pills – Lady In Gold (Nuclear Blast)

Anyone who has been foolish enough to waste their precious time reading my ramblings over the last couple of years will know I’ve been a fan of Blues Pills from the get go, first catching them way down the bill… Continue Reading →

Infinite Spectrum – Haunter of the Dark (Sensory)

Before getting onto the music, there are several things that need explaining for the uninitiated. Firstly, H.P. Lovecraft; this man is considered by many to be the father of modern horror. Often imitated and frequently referenced, not least by Stephen… Continue Reading →

Zodiac – Grain of Soul (Napalm)

Hey folks, do your shelves at home groan under the weight of Bon Jovi’s albums? Like Kiss, do you want to “rock and roll all night, and party every day”? Do you hear the phrase “extreme metal” and think of… Continue Reading →

Mos Generator – Abyssinia (Listenable)

Having dragged myself kicking and screaming into the twenty first century with an online social media footprint, the ubiquitous Facebook was kind enough to remind me that just over a year ago I was sweating in a packed out converted… Continue Reading →

Castle – Welcome To The Graveyard (Ván)

A couple of months ago at the pub, a friend broke an unwritten rule of the table by pulling out their smart phone to display an online piece they’d seen. Now, had it been some sleepy kitten or puppy falling… Continue Reading →

Stuck Mojo – Here Come The Infidels (Stuck Mojo Music)

Okay, before I get to the latest album, I really do need to preface the review with my own previous experiences of Stuck Mojo. I have seem the band a whole bunch of times, and have always had a bloody… Continue Reading →

Comet Control – Centre of the Maze (Tee Pee)

I’d never heard of Comet Control before, although the bio that arrived with the album assured me that it is the second full length release by these Toronto based self described “space rock cosmonauts.” However, as soon as the first… Continue Reading →

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