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Author Spenny

It is now a new decade, and the last time my Ave Noctum bio was updated, it was 2014. So much has changed since then, not least my time ravaged hulk having reached its half century. Vinyl has gone from being a thing of memory to a thing for the trendy and hip (but try going for a walk with that stereo in your pocket!), and tapes have gone from being a best forgotten “fragile”, in every sense of the word, memory, to the most kvlt of the kvlt and grimm offering! What has not changed, however, is my dedication to hard rock and heavy metal. Indeed, my formative years were saturated by the likes of Cream, Deep Purple, Queen, Pink Floyd, Black Sabbath, Genesis, Yes, and their ilk, as well as healthy chunks of Motown on the turntable that was the pre-internet stereophonic centre for entertainment in my mother's 70's single parent household, and my first “concert of choice” (I exclude some I was taken to/performed in against my will) was Motörhead in 1984 in Manchester. However, after living through the heyday of thrash when the “Big Four” were young and hungry, I still revel in the new generations of musicians who rally against the written by committee and autotuned blandness of modern popular music. Every couple of years the popular press features articles about “the death of rock”, whilst lauding the latest autotuned flash in the pan act, and then does a volte face to promote a short lived NME bait guitar act, but the fact is that metal and hard rock lives, and indeed thrives, below the radar of popular consciousness, and I, like my fellow Ave Noctum scribes, revel in that world. So, keep reading, keep supporting the scene you love by buying the music, purchasing merch, and going to the shows, and here's to another decade of excellent music that sticks a stiffly raised middle finger in the direction of popular opinion.

Lord Vigo – Blackbourne Souls (No Remorse Records)

It’s first review of the year, and I’ve often thought that the first one can prepare the tone for the year. A good release sets up a feeling of quiet optimism, whilst conversely, a lemon can paint a landscape of… Continue Reading →

Stone Ship – The Eye (Feuer Publications)

Whilst a new release for December 2016, ‘The Eye’ has actually been available for over a year now, albeit in the currently kvlter than kvlt way of buying a tape from the band in their darkened Finnish home or the… Continue Reading →

Pelander – Time (Nuclear Blast)

If you are unfamiliar with Pelander, that’s nothing to be worried about, seeing as it is the first release by Magnus Pelander, Witchcraft mainstay, under his own moniker, and a definite change from his normal doom tinged heavy rock releases…. Continue Reading →

Edensong – Years In The Garden Of Years (The Laser’s Edge)

Cards on the table here folks, my next landmark birthday is 50, and it is far too few years ago for comfort, and for the best part of four decades, ever since first finding Cream’s ‘Goodbye’ in my mother’s record… Continue Reading →

Admiral Sir Cloudesley Shovell – Keep It Greasy! (Rise Above)

According to historical record Admiral Sir Cloudesley Shovell was a highly decorated 17th Century British naval officer, parliamentarian for Rochester, Commissioner of the Sewers with a duty to the upkeep of the banks of the River Thames, and following his… Continue Reading →

Anciients – Voice of the Void (Season Of Mist)

Over three years ago I first became aware of Vancouver’s own Anciients by virtue of reading the review of ‘Heart of Oak’ on the very site your are currently viewing (check Ave Noctum passim), and in the intervening three years… Continue Reading →

Seremonia – Pahuuden Äänet (Svart)

I’ll be entirely honest here as despite this being their fourth album, ‘Pahuuden Äänet’ is the first time I have knowingly encountered the music of Finnish psychedelic five piece Seremonia. It may well have been playing at the house of… Continue Reading →

Clouds Taste Satanic – Dawn Of The Satanic Age (Kinda Like Music)

For three straight years now, Brooklyn based instrumental doomsters Clouds Taste Satanic have been producing an album a year, the quality of which has just continued to improve. 2014 saw ‘To Sleep Beyond The Stars’ with its single epic track… Continue Reading →

Crobot – Welcome To Fat City (Nuclear Blast)

Back in the mists of time, okay October 2014 to be honest (see Ave Noctum passim), I reviewed Crobot’s first release ‘Something Supernatural’, and revisiting that review, I guess I was less than generous, enjoying it, but not being blown… Continue Reading →

Saint Vitus – Live Vol. 2 (Season of Mist)

There can be little doubt that one of the doom bands with the greatest mystique and legend surrounding them are Saint Vitus, and after the recording hiatus of 17 years after ‘Die Healing’, their 2012 return with ‘Lillie: F-65’ was… Continue Reading →

Sahg – Memento Mori (Indie)

Sahg is a band that has over the years evolved with each record, each release being matched by an evolution in the line up of the band, and with ‘Memento Mori’, their fifth album, and follow up to 2013’s ‘Delusions… Continue Reading →

Lavagoat – Ladies From Hades (S/R)

For nearly a decade now, Saskatoon’s own Lavagoat have been pretty much encapsulating all that is good in the metal underground. Ignorant and uncaring of what is fashionable, trendy, and liable to attract major label support, these noisy hairy Canucks… Continue Reading →

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