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Author Spenny

It is now a new decade, and the last time my Ave Noctum bio was updated, it was 2014. So much has changed since then, not least my time ravaged hulk having reached its half century. Vinyl has gone from being a thing of memory to a thing for the trendy and hip (but try going for a walk with that stereo in your pocket!), and tapes have gone from being a best forgotten “fragile”, in every sense of the word, memory, to the most kvlt of the kvlt and grimm offering! What has not changed, however, is my dedication to hard rock and heavy metal. Indeed, my formative years were saturated by the likes of Cream, Deep Purple, Queen, Pink Floyd, Black Sabbath, Genesis, Yes, and their ilk, as well as healthy chunks of Motown on the turntable that was the pre-internet stereophonic centre for entertainment in my mother's 70's single parent household, and my first “concert of choice” (I exclude some I was taken to/performed in against my will) was Motörhead in 1984 in Manchester. However, after living through the heyday of thrash when the “Big Four” were young and hungry, I still revel in the new generations of musicians who rally against the written by committee and autotuned blandness of modern popular music. Every couple of years the popular press features articles about “the death of rock”, whilst lauding the latest autotuned flash in the pan act, and then does a volte face to promote a short lived NME bait guitar act, but the fact is that metal and hard rock lives, and indeed thrives, below the radar of popular consciousness, and I, like my fellow Ave Noctum scribes, revel in that world. So, keep reading, keep supporting the scene you love by buying the music, purchasing merch, and going to the shows, and here's to another decade of excellent music that sticks a stiffly raised middle finger in the direction of popular opinion.

Widows – Oh Deer God (UMC Recordings)

One of the joys of this reviewing lark is getting sent music that you would not normally come across, bands that may support your favourite acts on a local rather than tour level that escape your radar arriving on your… Continue Reading →

Season of Arrows – Give it to the Mountain (Argonauta Records)

Whilst not the biggest of labels out there, Argonauta Records has delivered some real treats over the last couple of years that still manage to get regular plays here at Chez Spenny, no mean feat when I look at the… Continue Reading →

White Willow – Future Hopes (The Laser’s Edge)

For those who want metal, metal, and nothing but metal, move along now; like the droids in Star Wars, these are not the songs you are looking for. Yes, I know some folks have tried to chisel in references to… Continue Reading →

Alunah – Solennial (Svart)

For over a decade now, Alunah has remained one of the UK’s consistently finest purveyors of superb Doom, albeit having had assorted labels such as the very niche “female fronted occult rock” tag that was beloved of so many reviewers…. Continue Reading →

King Woman – Created In The Image of Suffering (Relapse)

The first time I heard the name King Woman was when they along with fellow support act Wax Idols jumped ship on a Pentagram tour due to less than savoury comments attributed to legendary front man and former major supporter… Continue Reading →

Arrakis – Electricon (S/R)

Arrakis, the desert planet, home of Spice that allows interstellar travel, known as Dune, and also a rather good Greek instrumental psychedelic power trio. To take their name from the possibly the most famous planet in Science-Fiction literature is a… Continue Reading →

Interview – Alunah

For over 10 years, since first coming together in the English Midlands in 2006, Alunah have trafficked in a blend of the earthly and the unearthly.  2017 sees the band releasing their highly anticipated fourth album Solennial in partnership with… Continue Reading →

Vermilion Whiskey – Spirit of Tradition (10 South Productions)

Another new act, or at least new to me, to review with South Louisiana rockers Vermilion Whiskey and the EP ‘Spirit of Tradition’, and as you might expect, the influences of the American South are there in spades. ‘Road King’… Continue Reading →

Desert Kingdom – S/T (Black Bow Records)

New band, new EP, new review to be written, so Desert Kingdom’s eponymous EP gets a spin. But hang on, have I made some sort of technological mistake ripping the album, because whilst the player says ‘You’ll Burn’, my brain… Continue Reading →

R.I.P. – In The Wind (Riding Easy Records)

It’s early 2017, and time for more doom. No, I don’t mean the assorted headlines and accompanying wailing and gnashing of teeth that fills the internet, but rather Doom with a capital “D” a music form that can be traced… Continue Reading →

Sticky Boys – Calling The Devil (Listenable Records)

There are frankly an incomprehensible number of genres and sub-genres in the music that I, and as a reader of this website you presumably love. A wee scan through the couple of hundred gigabytes of albums I have ripped to… Continue Reading →

Magnet – Feel Your Fire (Soulseller Records)

It’s 2017, I’m rapidly approaching five decades on this planet, and I’m glad to say that many new bands are willing to set sail across the seas of Rock aboard the good ship retro, and Magnet, helmed by Psychedelic Witchcraft’s… Continue Reading →

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