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Author Spenny

It is now a new decade, and the last time my Ave Noctum bio was updated, it was 2014. So much has changed since then, not least my time ravaged hulk having reached its half century. Vinyl has gone from being a thing of memory to a thing for the trendy and hip (but try going for a walk with that stereo in your pocket!), and tapes have gone from being a best forgotten “fragile”, in every sense of the word, memory, to the most kvlt of the kvlt and grimm offering! What has not changed, however, is my dedication to hard rock and heavy metal. Indeed, my formative years were saturated by the likes of Cream, Deep Purple, Queen, Pink Floyd, Black Sabbath, Genesis, Yes, and their ilk, as well as healthy chunks of Motown on the turntable that was the pre-internet stereophonic centre for entertainment in my mother's 70's single parent household, and my first “concert of choice” (I exclude some I was taken to/performed in against my will) was Motörhead in 1984 in Manchester. However, after living through the heyday of thrash when the “Big Four” were young and hungry, I still revel in the new generations of musicians who rally against the written by committee and autotuned blandness of modern popular music. Every couple of years the popular press features articles about “the death of rock”, whilst lauding the latest autotuned flash in the pan act, and then does a volte face to promote a short lived NME bait guitar act, but the fact is that metal and hard rock lives, and indeed thrives, below the radar of popular consciousness, and I, like my fellow Ave Noctum scribes, revel in that world. So, keep reading, keep supporting the scene you love by buying the music, purchasing merch, and going to the shows, and here's to another decade of excellent music that sticks a stiffly raised middle finger in the direction of popular opinion.

Interview – Atragon

For me, 2017 saw a bit of a dry spell for first class Sludge. With the arguable Kings, with a capital “K”, of the sound Crowbar still touring their excellent 2016 offering,“The Serpent Only Lies”, whilst there was a good… Continue Reading →

Windhand / Satan’s Satyrs – Split (Relapse Records)

In 2017 I was fortunate enough to see Windhand and Satan’s Satyrs play a rather excellent show at The Audio, Glasgow, where each act was clearly at the top of their game, opener’s Satan’s Satyrs being imbued with a new… Continue Reading →

Interview – Twelve Boar

Ladies and gents, many in the world of metal, particularly the extreme side of things that Ave Noctum regularly feature, can sometimes be seen from the outside world (and pretentious insiders too!) as “grimm”, “kvlt”, and total strangers to the… Continue Reading →

Doomster Reich – Drug Magick (Aesthetic Death)

After telling the esteemed editor of this site that I had tickets for Yes and Jethro Tull for their respective 2018 50th anniversary tours, for some reason I got a bit of a deluge of Prog to start my review… Continue Reading →

Onyric Joy – Tales From The First Light (MMMmusic)

As ever, one of the great joys of this reviewing lark is hearing bands that I’d be unlikely to encounter with my normal random sweeps though the potential musical goldmine that is the internet, and having recently had helpings of… Continue Reading →

Aerolith – Aerolith & Aerolith II (Jumping High Records)

So, what is Aerolith? Care of my very amateur science background, without having to looking it up I know it’s a form of meteorite, mainly of a rocky composition. It’s also, therefore, a very appropriate name for a self-defined space-rock… Continue Reading →

Corrosion of Conformity – No Cross No Crown (Nuclear Blast)

Over the years there have been bands that gain cult status in the metal and hard rock community, and some that gain commercial success, either as well as, or instead of credibility amongst the dedicated followers of the form. Corrosion… Continue Reading →

Monolith Cult – Gospel of Despair (Transcending Records)

First review for 2018, and it’s for a band I’ve so far managed to avoid; nothing deliberate, it’s just that there is only so much music I can fit in my life before the bosses at work would object to… Continue Reading →

Interview- Clouds Taste Satanic

If any readers have had the misfortune to read my reviews on a regular basis, you may have noticed that for the last few years I’ve been lucky enough to be chosen to review the music of Brooklyn’s instrumental self-described… Continue Reading →

Interview – Solar Sons

Ave Noctum is to a large extent reflective of the underground scene of the music it reports on and supports; no funding or sponsorship, self-produced and financed, and living outside the all encompassing and smothering blanket of popular culture. One… Continue Reading →

Solar Sons – Retrograde Motion (S/R)

Ladies and gents who may be reading this, let me advise you that if you are a fan of hard rock or metal, there is precious little reason to visit the former industrial powerhouse and now excluded candidate for European… Continue Reading →

Hooded Priest – The Hour Be None (I Hate Records)

  After my first listen to Hooded Priest’s latest offering, ‘The Hour Be None’, I would have happily sworn that I must be in possession of their previous offerings, maybe at least a couple of albums or EPs; such was… Continue Reading →

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