For me, 2017 saw a bit of a dry spell for first class Sludge. With the arguable Kings, with a capital “K”, of the sound Crowbar still touring their excellent 2016 offering,“The Serpent Only Lies”, whilst there was a good… Continue Reading →
In 2017 I was fortunate enough to see Windhand and Satan’s Satyrs play a rather excellent show at The Audio, Glasgow, where each act was clearly at the top of their game, opener’s Satan’s Satyrs being imbued with a new… Continue Reading →
After telling the esteemed editor of this site that I had tickets for Yes and Jethro Tull for their respective 2018 50th anniversary tours, for some reason I got a bit of a deluge of Prog to start my review… Continue Reading →
As ever, one of the great joys of this reviewing lark is hearing bands that I’d be unlikely to encounter with my normal random sweeps though the potential musical goldmine that is the internet, and having recently had helpings of… Continue Reading →
So, what is Aerolith? Care of my very amateur science background, without having to looking it up I know it’s a form of meteorite, mainly of a rocky composition. It’s also, therefore, a very appropriate name for a self-defined space-rock… Continue Reading →
First review for 2018, and it’s for a band I’ve so far managed to avoid; nothing deliberate, it’s just that there is only so much music I can fit in my life before the bosses at work would object to… Continue Reading →
If any readers have had the misfortune to read my reviews on a regular basis, you may have noticed that for the last few years I’ve been lucky enough to be chosen to review the music of Brooklyn’s instrumental self-described… Continue Reading →
After my first listen to Hooded Priest’s latest offering, ‘The Hour Be None’, I would have happily sworn that I must be in possession of their previous offerings, maybe at least a couple of albums or EPs; such was… Continue Reading →
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