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Author Spenny

It is now a new decade, and the last time my Ave Noctum bio was updated, it was 2014. So much has changed since then, not least my time ravaged hulk having reached its half century. Vinyl has gone from being a thing of memory to a thing for the trendy and hip (but try going for a walk with that stereo in your pocket!), and tapes have gone from being a best forgotten “fragile”, in every sense of the word, memory, to the most kvlt of the kvlt and grimm offering! What has not changed, however, is my dedication to hard rock and heavy metal. Indeed, my formative years were saturated by the likes of Cream, Deep Purple, Queen, Pink Floyd, Black Sabbath, Genesis, Yes, and their ilk, as well as healthy chunks of Motown on the turntable that was the pre-internet stereophonic centre for entertainment in my mother's 70's single parent household, and my first “concert of choice” (I exclude some I was taken to/performed in against my will) was Motörhead in 1984 in Manchester. However, after living through the heyday of thrash when the “Big Four” were young and hungry, I still revel in the new generations of musicians who rally against the written by committee and autotuned blandness of modern popular music. Every couple of years the popular press features articles about “the death of rock”, whilst lauding the latest autotuned flash in the pan act, and then does a volte face to promote a short lived NME bait guitar act, but the fact is that metal and hard rock lives, and indeed thrives, below the radar of popular consciousness, and I, like my fellow Ave Noctum scribes, revel in that world. So, keep reading, keep supporting the scene you love by buying the music, purchasing merch, and going to the shows, and here's to another decade of excellent music that sticks a stiffly raised middle finger in the direction of popular opinion.

Mos Generator – Shadowlands (Listenable Records)

It was 2016 when the mighty Mos Generator released the excellent ‘Abyssinia’, an album that rode high in my top 10 of the year, and has been regularly spun ever since. To support that particular release the band pounded the… Continue Reading →

Bong – Thought and Existence (Ritual Productions)

Somewhat over four years ago, I was called upon to review an album by Bong, namely ‘Stoner Rock’, and on that occasion, it’s fair to say that particular offering had a harsh reception, where I described it as sounding akin… Continue Reading →

King Goat – Debt of Aeons (Aural Music)

Since 2012 and the departure of Robert Lowe, Candlemass have only released a single EP, albeit rumours abound of new work linked to some game or the other; well, what does that have to do with new release by Brighton’s… Continue Reading →

Spider Kitten – Concise and Sinister (S/R)

How the hell can you begin to describe Spider Kitten? Amongst other things they are one of the most prolific purveyors of DIY heaviness you could imagine. A constantly changing collective that rotates around the central hub of founder and… Continue Reading →

Dee Calhoun – Go To The Devil (Argonauta Records)

Perhaps best known as the voice of Iron Man, a stalwart of the underground world of Doom that has now finished with the far too early death of founder Alfred Morris III, Dee Calhoun proves that he is in no… Continue Reading →

Earthless – Black Heaven (Nuclear Blast)

Do you have any Earthless in your life? If the answer to that question is a resounding “no”, it’s time for you to remedy that immediately, and before you go searching for the back catalogue this San Diego three piece… Continue Reading →

The Golden Grass – Absolutely (Listenable Records)

Greetings fellow retronauts, it’s time to don your flares, drape your finest love beads around your necks, and set sail on the good ship ‘Absolutely’ care of Professor Plum Brandy, The Golden Goose, and The Fireball, a rock power trio… Continue Reading →

Demon Incarnate – Key of Solomon (FDA Records)

Well, this reviewing lark continues to be full of surprises. First surprise, the esteemed editor sends me a CD from FDA Records, a label that is pretty much intrinsically linked with the more extreme end of the market that really… Continue Reading →

The Men That Will Not Be Blamed For Nothing – Double Negative (Leather Apron)

A decade on the road, but with a lyrical sensibility slammed firmly in the 19th century, The Men That Will Not Be Blamed For Nothing (TMTWNBBFN in all future references to save my keyboard getting battered out of existence) are… Continue Reading →

Empress – Reminiscence (S/R)

An early 2018 review, and a true breath of fresh air boasting unexpected excellence; that’s the short version of the review for this EP, and whilst this may be more than sufficient were this a one inch column in the… Continue Reading →

Black Moth – Anatomical Venus (Candlelight Records)

Black Moth is a band that I’m glad to say I’ve been following for a good long while, seeing at shows as far apart as when they played with Uncle Acid and the Shovell lads in 2014 in Glasgow, to… Continue Reading →

Cruthu – The Angle Of Eternity (Church Within)

Here’s one of those rarities in reviewing for an underground site, a band I’ve actually heard of, heard, and have music from. That may sound weird, but exploring the unknown and bringing it towards, if not into, the light is… Continue Reading →

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