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Author Spenny

It is now a new decade, and the last time my Ave Noctum bio was updated, it was 2014. So much has changed since then, not least my time ravaged hulk having reached its half century. Vinyl has gone from being a thing of memory to a thing for the trendy and hip (but try going for a walk with that stereo in your pocket!), and tapes have gone from being a best forgotten “fragile”, in every sense of the word, memory, to the most kvlt of the kvlt and grimm offering! What has not changed, however, is my dedication to hard rock and heavy metal. Indeed, my formative years were saturated by the likes of Cream, Deep Purple, Queen, Pink Floyd, Black Sabbath, Genesis, Yes, and their ilk, as well as healthy chunks of Motown on the turntable that was the pre-internet stereophonic centre for entertainment in my mother's 70's single parent household, and my first “concert of choice” (I exclude some I was taken to/performed in against my will) was Motörhead in 1984 in Manchester. However, after living through the heyday of thrash when the “Big Four” were young and hungry, I still revel in the new generations of musicians who rally against the written by committee and autotuned blandness of modern popular music. Every couple of years the popular press features articles about “the death of rock”, whilst lauding the latest autotuned flash in the pan act, and then does a volte face to promote a short lived NME bait guitar act, but the fact is that metal and hard rock lives, and indeed thrives, below the radar of popular consciousness, and I, like my fellow Ave Noctum scribes, revel in that world. So, keep reading, keep supporting the scene you love by buying the music, purchasing merch, and going to the shows, and here's to another decade of excellent music that sticks a stiffly raised middle finger in the direction of popular opinion.

Capilla Ardiente – Where Gods Live And Men Die (High Roller Records)

Despite what some outside the scene may think, Doom covers a wide range of sounds and speeds. From the punk tinged angry bark of Saint Vitus, all the way to the near operatic storytelling of Candlemass, there is a wide… Continue Reading →

Bobbie Dazzle – Fandabidozi (Rise Above Records)

If you are a true metal warrior who revels in gloom, for whom only the grimm and kvlt can fill the void in your dark soul and long for fimbulwinter to wipe the sun from the sky, then sorry, the… Continue Reading →

Psychlona – Warped Vision (Magnetic Eye Records)

Here’s a little factoid: I’ve been to both Bradford and California, and they really aren’t too similar, albeit time could have confused my memories. Last time I was in Bradford was a few decades ago as a sixth former playing… Continue Reading →

Interview – Dee Calhoun aka Screaming Mad Dee

Dee Calhoun, or “Screaming Mad Dee” as he is also known, is a man who has been in the business of producing dark and heavy music for many years.  Whilst he had been in many bands before, for me he… Continue Reading →

Screaming Mad Dee – From Under The Smogberry Tree (S/R)

In order to get to what you are currently reading you’ll likely have noticed the banner for Ave Noctum, declaring as it does its dedication to “Extreme and Atmospheric” music. Well, Dee Calhoun, or ‘Screaming Mad Dee’ if you will,… Continue Reading →

Castle – Evil Remains (Hammerheart Records)

When Ave Noctum’s dark overlord sent me this latest album by Castle to review I went into a bit of a panic. Checking the prior albums by the band I owned I found I had nothing since their rather excellent… Continue Reading →

Hail Darkness – Death Divine (Vatican Records)

When it comes to art, very little is new. Yes, occasionally a new bit of technology comes along to allow a brief semblance of uniqueness, but then everyone jumps on the bandwagon and what was fresh and sparkling quickly becomes… Continue Reading →

Barbarian Hermit – Mean Sugar (APF Records)

Barbarian Hermit is a band I’m pretty familiar with, my last purchase of their material being the 2021 reissue of the EP ‘One’, although at a 45 minute plus run time across the seven tracks I’m not sure why it’s… Continue Reading →

Greenleaf – The Head & The Habit (Magnetic Eye Records)

When the new Greenleaf album arrived in my in tray for review, I was genuinely amazed to discover that in their assorted ever evolving line-ups the band has now been putting out music for a whole quarter of a century…. Continue Reading →

Ufomammut – Hidden (Neurot Recordings)

Celebrating their twenty fifth anniversary this year, Italian power trio doomsters Ufomammut are unleashing onto the world their thirteenth album, ‘Hidden’, as well as announcing a host of club and festival shows to support the release. To my chagrin, on… Continue Reading →

Uncle Acid And The Deadbeats – Nell’ Ora Blu (Rise Above Records)

‘Giallo’, noun. A genre of Italian cinema of murder mystery fiction that often contains slasher, thriller, psychological horror, sexploitation, and less frequently, supernatural horror elements with a heyday from the late nineteen sixties to mid nineteen seventies. As starts to… Continue Reading →

Heavy Temple – Garden of Heathens (Magnetic Eye Records)

Heavy Temple is a band that I’ve been hoping to see live for quite some time now, but have yet to do so. As well as really enjoying their prior releases (see Ave Noctum passim), vocalist High Priestess Nighthawk has… Continue Reading →

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