Your No. 1 Source For Extreme And Atmospheric Music And Film.

Author Slavica Sikora

Listening to music and reading have been my favourite pastime since I was a teenager. I grew up in a small town and there wasn’t much else to do. Why I developed a liking for guitar-heavy music I can’t really say. It just appealed to me. A friend from school made me a mix tape with bands like Judas Priest and Iron Maiden. There was no record store in my hometown, but there was a small shop that sold all kinds of electrical appliances that would order records for you if you asked them to. The first album I ever purchased was by Guns ‘n Roses. From there, my musical taste moved forward to hardcore and punk bands, mostly because I had skater friends, and also because with time I understood more and more English and developed a taste for good lyrics. By good I mean critical of main-stream culture and society. In my life, music matters. The written word matters. Poetry matters. Philosophy matters. Like Mr. Rollins, I medicate with music (and literature, and philosophy). The best thing for me is when great music and great lyrics combine. An example? Shellac, Copper. Copper, you’ll never be gold. Or: Mediocrity, you’ll never pass for the real thing. Another one: Cop Shoot Cop, It only hurts when I breath. Boy, do I love the irony in that one. I enjoy figuring out what a work of art is about, or what went through someone’s head when they wrote something. It feels good, when I know I understood, it feels even better when I can relate to what is being expressed. That’s why I write reviews.

Enisum – Forgotten Mountains (Avantgarde)

After a four-year hiatus, Italians Enisum are back with their fifth full-length album, Forgotten Mountains. Its predecessor Moth’s Illusion was a very good and slightly out of the box take on atmospheric black metal. The subject was nature, of course,… Continue Reading →

The Abbey – Word of Sin (Season Of Mist)

I’m a fan of good cover designs, of covers that truly represent the music they are introducing, and the cover for the debut album Word of Sin by The Abbey definitely falls under that category. Held in black, tones of… Continue Reading →

Bizarrekult – Den Tapten Krigen (Season Of Mist)

Loners are nothing unusual in Black Metal and its various sub-genres, on the contrary. As a multi-instrumentalist, as someone who does everything on his own, Roman V., mastermind of Bizarrekult, doesn’t stand out. But there are one-man bands and one-man… Continue Reading →

SKÁLD – Huldufólk (Universal)

Unless you are completely new to Nordic Folk, you will know that the genre’s best times are behind it. It reached its climax a few years ago and it stopped being nouvelle and wondrous before that. Today, even its best-known… Continue Reading →

Rome – Hegemonikon (Trisol)

There are few musicians who are as committed to the European Idea as Jerome Reuter. Through his music, under the band name Rome, he has been promoting Europe, both geographically, as a naturally cohesive entity, and philosophically, as a place… Continue Reading →

Blacklist – Afterworld (Profound Lore)

Although the cover to the album at hand looks a lot like that to Kall’s last LP Brand, and although one could easily jump to conclusions and expect similar sounds and attitudes, it’s not DSBM that’s hiding beneath this sad… Continue Reading →

Interview – Gospelheim

Manifesting seemingly out of nowhere, Gospelheim from Manchester have made some waves with their debut album Ritual & Repetition recently released by Prophecy Productions. Their sound mixture, which is build from goth rock, heavy metal, doom and black metal, featuring,… Continue Reading →

Gospelheim – Ritual & Repetition (Prophecy)

After having listened to Hope Springs Infernal, the first track on Gospelheim’s debut album Ritual & Repetition, I thought I had the band all figured out. Here was yet another goth rock project, playing very appealing music, music I liked… Continue Reading →

Sang Froid – EP (Black Gods)

Nomen est omen with Sang Froid from Nantes. Making good use of the infectious winter of 2019, these cold-blooded Frenchmen, composed of two members of Regard les hommes tomber and one member of The Veil, have created a decidedly un-sanguine… Continue Reading →

Ellende – Ellenbogengesellschaft (AOP Records)

A few years ago, Austrian actor Christoph Waltz (Inglourious Basterds, Carnage) visited an American late night show (check YouTube, if you feel like it) and quizzed his host on the meaning of some tricky German words. Some were silly, some… Continue Reading →

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