Your No. 1 Source For Extreme And Atmospheric Music And Film.

Author Slavica Sikora

Listening to music and reading have been my favourite pastime since I was a teenager. I grew up in a small town and there wasn’t much else to do. Why I developed a liking for guitar-heavy music I can’t really say. It just appealed to me. A friend from school made me a mix tape with bands like Judas Priest and Iron Maiden. There was no record store in my hometown, but there was a small shop that sold all kinds of electrical appliances that would order records for you if you asked them to. The first album I ever purchased was by Guns ‘n Roses. From there, my musical taste moved forward to hardcore and punk bands, mostly because I had skater friends, and also because with time I understood more and more English and developed a taste for good lyrics. By good I mean critical of main-stream culture and society. In my life, music matters. The written word matters. Poetry matters. Philosophy matters. Like Mr. Rollins, I medicate with music (and literature, and philosophy). The best thing for me is when great music and great lyrics combine. An example? Shellac, Copper. Copper, you’ll never be gold. Or: Mediocrity, you’ll never pass for the real thing. Another one: Cop Shoot Cop, It only hurts when I breath. Boy, do I love the irony in that one. I enjoy figuring out what a work of art is about, or what went through someone’s head when they wrote something. It feels good, when I know I understood, it feels even better when I can relate to what is being expressed. That’s why I write reviews.

An Autumn For Crippled Children – As The Morning Dawns We Close Our Eyes (Prosthetic)

It’s just a bit over a year that AAfCC released their last full-length, and here they are presenting us with another one, their second on Prosthetic Records and their ninth in total. Too much too soon? Maybe. But what is… Continue Reading →

The Ember, The Ash – Fixation (Prosthetic Records)

From Ottawa, Ontario, come The Ember, The Ash, a one-person project I had not encountered so far. The individual who does everything here, and everything includes recording and mixing, goes by the name of 鬼, which in Japanese means “demon”… Continue Reading →

Mortifero – The Death Ballads (Van Records)

Mortifero (Latin/Italian for mortal, lethal, deadly) are a brand new dark folk project from Groningen, The Netherlands, presenting their debut with the EP The Death Ballads on German Ván Records. Founded by vocalist, lyricist and principal songwriter Mortifero, the trio… Continue Reading →

NOÊTA – Elm (Prophecy Productions)

“The sound of a teardrop falling onto a moss-covered stone. The sound of a heart breaking. The sound of a rosebud opening at dawn.” The sentences above could well be taken from a romantic poem or a Zen koan, like… Continue Reading →

Crown – The End Of All Things (Pelagic Records)

Since this is my first encounter with the French band Crown, I checked the Encyclopaedia Metallum for a bit of background data. Usually, the metal archives are a good, reliable and updated source of information. This time, however, the genre… Continue Reading →

Årabrot – Norwegian Gothic (Pelagic)

While mankind has probably been sharing frightening stories since developing coherent speech, the emergence of the gothic novel marks the modern beginnings of the horror genre. The Castle of Otranto and everything that followed gave the world the grotesque, the… Continue Reading →

Nokti – Cockschmerzen (HauRuck)

From Zagreb, Croatia, come Nokti (Eng.: nails, as in fingernails, and biting), presenting their debut Cockschmerzen – six rather short tracks of anxiety-driven, unease-filled noise rock, adding up to about 15 minutes of playtime. Starting with the oil-on-canvas cover art,… Continue Reading →

Crooked Mouth & Headstone Brigade – Crooked Headstone (I, Voidhanger)

From the Pacific Northwest comes a wonderfully eccentric musical collaboration. Crooked Mouth and Headstone Brigade, both one-man projects toiling in the darkfolk/neofolk genre, have joined forces. The Italian label I, Voidhanger is releasing their joint effort and thereby proving once… Continue Reading →

Isgherurd Morth – Hellrduk (Repose Records)

Over the years, black metal has developed into something of a template. That being the case, the appeal of your black metal project depends a lot on whether you’re able to follow that template while simultaneously breaking it up and… Continue Reading →

Wolvennest – Temple (Van Records)

Breaking out from your very own Groundhog Day and escaping the same old same old has gotten very difficult during the pandemic. A good album is a blessing in these times. It can transport you to another place, to another… Continue Reading →

Culted – Nous (Season Of Mist)

Anyone who ever tried themselves at meditation knows what a Sisyphean exercise it is. You do it to quiet your inner demons, and all that comes up during your sessions are your inner demons. Eventually, of course, you do get… Continue Reading →

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