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Author Martin Harris

Rock and metal have been in my existence for about 30 years and saw me go through a rapid weaning period that covered AC/DC, Maiden, Saxon, Whitesnake, Motorhead, etc from about 1982 to 1984 before shifting to thrash in the summer of 1984. At that point my only mission was to find the fastest, most violent music on the planet resulting checking out every genre in extreme music from death metal and grindcore to crust punk and hardcore all of which I still adore today and buy albums from and go see live. During the 80s I grew up in the infamous Bradford thrash scene, a time I still dearly miss such was the inventiveness and great camaraderie it held. I’m a bit of phase metaller, going from one style to another, through sheer investigation of finding something new, but always sticking with them all. I’m a total sucker for double bass and blast beats and always will be no matter what genre it comes from. I absolutely detest people that have joined the metal scene because it is trendy or their mates like it, likewise I detest people who are shallow and think this music is a fad of growing up. Most of us are extremely well educated and articulate individuals who prefer freedom of self expression than indoctrination by mass media organisations hell bent on artistic sterilisation. Much of my cash is spent on following metal and I wouldn’t change a thing about it because it is the best music scene in the world.

Midgardsblot – Borre, Vestfold, Norway 17 – 19th August 2017 Day 2

DAY TWO: FRIDAY As I mentioned in the day one review this festival isn’t purely about music as arriving early I decided to do the guided tour of the burial grave mounds within Borre Park. After which it was time… Continue Reading →

Midgardsblot – Borre, Vestfold, Norway 17 – 19th August 2017 Day 1

DAY ONE: THURSDAY Rock and metal like thousands of fans the world over, has given me experiences above and beyond the music itself travelling to many festivals and gigs often in unique settings as my festival exploits this year have… Continue Reading →

Thy Art Is Murder – Dear Desolation (Nuclear Blast)

Of late the major players within the deathcore scene have been branching out somewhat and have been testing the water with more ambitious song writing that has had a mixed reception within the media and from fans alike, with Carnifex,… Continue Reading →

Subservience – Forest Of The Impaled (Black Bow Records)

It appears that the best kept death metal secret on the south coast of the UK is called Subservience and has three EPs out plus a split and having listened to the EPs on the band’s bandcamp page it is… Continue Reading →

Old Corpse Road, Stahlsarg, Mountains Crave – Leeds, The Fenton 30/7/17

This triple bill of black metal covered a wide spectrum within the genre that began with local act Mountains Crave who have made huge improvements musically since I last saw them converting their wealth of live experience into this accomplished… Continue Reading →

Abhorrent Decimation – The Pardoner (Prosthetic Records)

There’s been a couple of changes within the line-up of this UK death metal band namely they have a new drummer and lead guitarist Dan Danby and Ross McLennan respectively. If you have seen this band you will know they… Continue Reading →

Psychobolia – Chiaroscuro (Great Dane Records)

This French band’s third album has caused me no end of consternation since I received it for review a while back, not because it is spectacular good or dreadful. The album title relates to the technique of applying light and… Continue Reading →

Execration – Return To The Void (Metal Blade)

Of the bands adopting the Execration moniker the Norwegian version is by far the most prolific with three gutter trawling filth riddled death metal albums already slithering around the underground making rancid ripples, with the bands last repugnant effort “Morbid… Continue Reading →

Expulsion – Nightmare Future (Relapse Records)

Any band that consists of Matt Olivo (Repulsion), Matt Harvey (Gruesome, Exhumed), Danny Walker (Exhumed, Intronaut, Phobia) and Menno Verbaten (), should be a beast and that is exactly what this debut release is, but I wish it was longer… Continue Reading →

Integrity – Howling, For The Nightmare Shall Consume (Relapse Records)

Few acts can truly be called pioneers but US act Integrity deserve that accolade for spearheading a movement of hardcore that surpassed the parameters of the genre that flourished during the late 70s and 80s by manipulating the genre into… Continue Reading →

Pathology – ST (Comatose Music)

In my usual routine of writing up reviews it encompasses checking out the bands past discography, obviously, but also includes line-up changes, previous album titles – any patterns therein, release rates, album art work style, other bands with the same… Continue Reading →

Dying Fetus – Wrong One To Fuck With (Relapse)

This long established and pioneering death metal band like many of its compatriots in the genre does not write bad albums but writes continually top quality releases through which you have personal favourites but never poor ones, but with this… Continue Reading →

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