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Author Martin Harris

Rock and metal have been in my existence for about 30 years and saw me go through a rapid weaning period that covered AC/DC, Maiden, Saxon, Whitesnake, Motorhead, etc from about 1982 to 1984 before shifting to thrash in the summer of 1984. At that point my only mission was to find the fastest, most violent music on the planet resulting checking out every genre in extreme music from death metal and grindcore to crust punk and hardcore all of which I still adore today and buy albums from and go see live. During the 80s I grew up in the infamous Bradford thrash scene, a time I still dearly miss such was the inventiveness and great camaraderie it held. I’m a bit of phase metaller, going from one style to another, through sheer investigation of finding something new, but always sticking with them all. I’m a total sucker for double bass and blast beats and always will be no matter what genre it comes from. I absolutely detest people that have joined the metal scene because it is trendy or their mates like it, likewise I detest people who are shallow and think this music is a fad of growing up. Most of us are extremely well educated and articulate individuals who prefer freedom of self expression than indoctrination by mass media organisations hell bent on artistic sterilisation. Much of my cash is spent on following metal and I wouldn’t change a thing about it because it is the best music scene in the world.

Reign In Blood – Missa Pro Defunctis (Iron Bonehead Productions)

I know what you’re thinking as you read the band’s name and have decided whether to read this review or not but you’d be completely wrong to assume that this German band is a thrash act with a penchant for… Continue Reading →

Here Lies Man – No Ground To Walk Upon (Ridingeasy Records)

Firmly entrenched in a 70s riff rock vibe, US based Here Lies Man offer a wholly new approach to the genre by incorporating African stylised beats to their enthralling songs which will hook you instantly with their innate catchiness. I… Continue Reading →

Gruesome, Beyond Salvation, After The Abduction, Frozen In Shadows, Existential Dread – Manchester, Star And Garter 31/7/19

The older I get it is interesting to see how music and genres have evolved over time as tonight’s bill covered a range of death metal acts from traditional “old school” to the more modern slam style, and although these… Continue Reading →

Armageddon Death Squad – Necrosmose (Great Dane Records)

This debut effort by the French death metallers first materialised towards the latter half of 2018 as an independent release but having signed to Great Dane it has got a second push to garner more attention which it should rightly… Continue Reading →

Tramlines Fringe Festival 2019 – Sheffield City Hall Ballroom 20/7/19

As a subsidiary of Sheffield’s city wide Tramlines Festival that has been around for a number of years and which I have attended previously and seen some amazing acts like Myrkur, Amplifier, Anathema, The Pineapple Thief and Oathbreaker to name… Continue Reading →

Deathcrush – Megazone (Apollon Records)

It’s possible that you’re thinking this band is some type of old school black metal worship courtesy of the seminal release by infamous Norwegian act Mayhem, but this debut album is light years from that scene. This trio is also… Continue Reading →

Pesterous Mind – Halluci. Nation (Boersma Records)

For some reason this German act is tagged as being deathcore and whilst there are tenets of that genre this second album is closer to death metal overall. The overriding deathcore facet lies within the vocals that possess that deep… Continue Reading →

Firespawn – Abomination (Century Media Records)

There is a train of thought that when well established band members invest their time, skill and energy into a new project,that said ability can be spread too far, even when you have such elite members that comprise this Swedish… Continue Reading →

Turbocharged – Above Lords, Below Earth (GFY Productions)

Sweden’s Turbocharged have been on the periphery of my extreme metal radar for a number of years but I have never really got round to delving into their back catalogue fully so I opted to take this album on for… Continue Reading →

Misþyrming – Algleymi (Norma Evangelium Diaboli)

This Icelandic outfit has been making substantial waves in the black metal scene since their immense debut “Söngvar Elds Og Óreiðu” released in 2015. I even caught a brief section of their set at the Inferno Festival in Norway in… Continue Reading →

Nocturnus AD – Paradox (Profound Lore Records)

Back in the early 90s Nocturnus appeared with a debut album, “The Key” which in part revolutionised death metal due to its progressive strains but more importantly it adopted the use of keyboards which at the time would have been… Continue Reading →

Epectase – Astres (I, Voidhanger)

French duo Vague and Avitus who comprise this enigmatic black metal outfit have constructed a debut release that is as ferocious as it is utterly beguiling and enthralling. Within the five compositions the band has developed their own sonic tapestry… Continue Reading →

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