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Author Martin Harris

Rock and metal have been in my existence for about 30 years and saw me go through a rapid weaning period that covered AC/DC, Maiden, Saxon, Whitesnake, Motorhead, etc from about 1982 to 1984 before shifting to thrash in the summer of 1984. At that point my only mission was to find the fastest, most violent music on the planet resulting checking out every genre in extreme music from death metal and grindcore to crust punk and hardcore all of which I still adore today and buy albums from and go see live. During the 80s I grew up in the infamous Bradford thrash scene, a time I still dearly miss such was the inventiveness and great camaraderie it held. I’m a bit of phase metaller, going from one style to another, through sheer investigation of finding something new, but always sticking with them all. I’m a total sucker for double bass and blast beats and always will be no matter what genre it comes from. I absolutely detest people that have joined the metal scene because it is trendy or their mates like it, likewise I detest people who are shallow and think this music is a fad of growing up. Most of us are extremely well educated and articulate individuals who prefer freedom of self expression than indoctrination by mass media organisations hell bent on artistic sterilisation. Much of my cash is spent on following metal and I wouldn’t change a thing about it because it is the best music scene in the world.

Nekrovault – Totenzug: Festering Peregrination (Ván Records)

Seemingly everything that Ván Records releases within the death metal sphere is a classic demonstration of fetid annihilation as this German bunch add their name to their formidable roster with a debut that reeks of macabre finesse and ghoulish destruction…. Continue Reading →

Sweven – The Eternal Resonance (Ván Records)

As you’ve probably guessed this Swedish act is named after the final album by Morbus Chron before they split up. Purely the sonic vision of Morbus Chron’s Robert Andersson this could be viewed as a solo project under the banner… Continue Reading →

Pistilos Opium – Hibrido (Fallen Temple)

Having previously released a digital and cassette version of this EP in December 2019 Polish label Fallen Temple has seen fit to reissue it on CD format and digitally again. Hailing from Chile, the band has that unique grisly South… Continue Reading →

Ruin Lust – Choir Of Babel (20 Buck Spin)

Being unfamiliar with this US acts previous two albums I decided not to investigate those releases prior to hearing this. With the sophomore being released just over a year ago the band has seen fit to unleash a third album… Continue Reading →

Nexorum – Death Unchained (Non Serviam Records)

Coming across as somewhat of a Norwegian black metal super group comprising members of Keep Of Kalessin, Khonsu, Vecordius, plus a couple of others, the talent on offer is without doubt. Fans of the Norwegian extreme metal scene got a… Continue Reading →

Vredehammer – Viperous (Indie Recordings)

With each release this Norwegian act has unleashed there has always been something different, a twist to keep fans engaged, but it is fair to say that this third album offers something above and beyond all previous sonic constructions. That… Continue Reading →

Testament, Exodus & Death Angel – Manchester Academy 7/3/20

Without question this stellar thrash package, dubbed ‘The Bay Area Strikes Back’, was the best to hit our shores in a very long time. Indeed the legacy of each band is legendary to say the least as this colossal tour… Continue Reading →

Exhumation – Eleventh Formulae (Pulverised Records)

There’s a plethora of acts with this name but of the ones I know this Indonesian act is by far the ugliest and guttural I have heard so far. As part of the triple slithering assault I had with Abhomine… Continue Reading →

Abhomine – Proselyte Parasite Plague (Osmose Productions)

My last few reviews for this month comprised a trio of deadly, hostile and wholly rabid releases where multiple sonic stab wounds were inflicted during the listening experience. Beginning with US abomination Abhomine, headed up by Pete Helmkamp whose auditory… Continue Reading →

Profanator – Fallen (FDA Records)

Mexican act Profanator are the final stab I got in my last reviews of this month and are by far the most progressive yet still inherently beastly on every song. This fourth album was actually out in 2018 on Mat… Continue Reading →

Colosso – Apocalypse (Transcending Obscurity)

There have been plenty of bands that have used the Four Horsemen Of The Apocalypse as the staging for their sonic annihilation as this Portuguese outfit has four songs for the four horsemen with each having a different vocalist to… Continue Reading →

Abisme – As Fear Falls In (S/R)

As a debut release this Spanish act has set themselves a rather large bar to surmount for their sophomore such is the quality here. The eerie despondent acoustic opening to “Amoral Era” breathes levels of menace into the track before… Continue Reading →

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