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Author Martin Harris

Rock and metal have been in my existence for about 30 years and saw me go through a rapid weaning period that covered AC/DC, Maiden, Saxon, Whitesnake, Motorhead, etc from about 1982 to 1984 before shifting to thrash in the summer of 1984. At that point my only mission was to find the fastest, most violent music on the planet resulting checking out every genre in extreme music from death metal and grindcore to crust punk and hardcore all of which I still adore today and buy albums from and go see live. During the 80s I grew up in the infamous Bradford thrash scene, a time I still dearly miss such was the inventiveness and great camaraderie it held. I’m a bit of phase metaller, going from one style to another, through sheer investigation of finding something new, but always sticking with them all. I’m a total sucker for double bass and blast beats and always will be no matter what genre it comes from. I absolutely detest people that have joined the metal scene because it is trendy or their mates like it, likewise I detest people who are shallow and think this music is a fad of growing up. Most of us are extremely well educated and articulate individuals who prefer freedom of self expression than indoctrination by mass media organisations hell bent on artistic sterilisation. Much of my cash is spent on following metal and I wouldn’t change a thing about it because it is the best music scene in the world.

Goath – III: Shaped By The Unlight (Ván Records)

Germany’s Goath belong to that breed of blackened death metal acts who straddle a fine line between melody and outright nihilistic war on their songs. You’ve only to listen to their previous two full lengths to know that, as this… Continue Reading →

Carnal Savagery – Fiendish (Moribund Records)

For those of us old enough to remember the awesome death metal scene that began in the mid-1980s and especially the unique Scandinavian scene that saw the pioneering acts of Entombed, Grave, Dismember, Unleashed, Carnage, Nihilist (yes I know they… Continue Reading →

Vrademargk – Arrelats (S/R)

I am totally unfamiliar with this Spanish act whose homeland is the Catalonia region, which has a bearing on the album that I’ll write about later. Having formed in 2003 the band released a demo and two full lengths which… Continue Reading →

Wesenwille – II: A Material God (Les Acteurs De I’Ombre)

It is clear that this Dutch duo, D. Scherman and R. Schmidt, want to inflict a harrowing listen on anyone who cares to partake on either of the albums they have released as this second chapter, as I’ve deemed it,… Continue Reading →

Warside – The Enemy Inside (S/R)

All the members of French band Warside are part of other bands, such as , except their vocalist it appears. Indeed they have also been members of other bands too such as Whisper-X and Hemerah with the former having some… Continue Reading →

Kankar – Dunkle Millenia (Eisenwald)

There has been an unquestionable progression by this German band since their debut EP ‘Elemental Fury’ released in 2018 where their unremitting raw fury has been somewhat smoothed over to produce a far more scintillating polished debut full length. Both… Continue Reading →

Sepulcros – Vazio (Transcending Obscurity Records)

Portuguese Sepulcros are hideous, a slithering creeping sonic monstrosity spread across four nightmarish horrors that will have you balling your eyes out, screaming and begging to be let free from the aural torture they have inflicted upon you when you… Continue Reading →

Wolf King – The Path Of Wrath (Prosthetic Records)

There is a pernicious palpable hostility about this US act, a scathing predatory calculation embedded into every track which oozes a prowling spiteful and ravaging malfeasance that you can feel throughout its duration as they unleash a cataclysmic second album… Continue Reading →

Zaratus – In The Days Of Whore (Ván Records)

There is absolutely no doubting the pedigree of the duo within the ranks of this new act Zaratus which comprises Bill Zobolas (Soulskinner, Thou Art Lord) and Stefan Necroabyssius (Varathron, Katavasia) plus a whole host of other acts they’ve both… Continue Reading →

Exanimis – Marionnettiste (Klonosphere Records)

One could never accuse this French band of lacking ambition, their debut album is as opulent and lavish as anything you’ll hear this year within the symphonic metal sphere no matter whether power metal, death metal, black metal or any… Continue Reading →

Summoning The Lich – United In Chaos (Prosthetic Records)

This relatively new act from the US has kicked off their full length discography with clear intent. After a demo in 2017 they have quickly put a fine debut under their belt that encompasses the broad melodic death metal genre… Continue Reading →

The Amenta – Revelator (Debemur Morti Productions)

Eight years is a long time to wait between albums, the seismic shift in extreme metal can be huge as these Australian industrial death metallers return from their hiatus with a fourth full length. Brandishing an apocalyptic, cataclysmic approach the… Continue Reading →

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