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Author Martin Harris

Rock and metal have been in my existence for about 30 years and saw me go through a rapid weaning period that covered AC/DC, Maiden, Saxon, Whitesnake, Motorhead, etc from about 1982 to 1984 before shifting to thrash in the summer of 1984. At that point my only mission was to find the fastest, most violent music on the planet resulting checking out every genre in extreme music from death metal and grindcore to crust punk and hardcore all of which I still adore today and buy albums from and go see live. During the 80s I grew up in the infamous Bradford thrash scene, a time I still dearly miss such was the inventiveness and great camaraderie it held. I’m a bit of phase metaller, going from one style to another, through sheer investigation of finding something new, but always sticking with them all. I’m a total sucker for double bass and blast beats and always will be no matter what genre it comes from. I absolutely detest people that have joined the metal scene because it is trendy or their mates like it, likewise I detest people who are shallow and think this music is a fad of growing up. Most of us are extremely well educated and articulate individuals who prefer freedom of self expression than indoctrination by mass media organisations hell bent on artistic sterilisation. Much of my cash is spent on following metal and I wouldn’t change a thing about it because it is the best music scene in the world.

Wombbath – Agma (Transcending Obscurity Records)

Quite possibly one of the most underrated and overlooked death metal bands of the last 30 years, Sweden’s Wombbath may have a moniker conjuring up images of sonic rancidity but they offer so much more than that, indeed their latest… Continue Reading →

Ruttenskalle – Skin ‘Em Alive (Gruesome Records)

Portugal may have their very own Rogga Johansson (Sweden) in the making, as Paulo M. Soares, whose project this is, has been involved in a raft of other acts, mostly in the death metal fold, within the Portuguese extreme metal… Continue Reading →

Lifelost – Punitive Damnation (Onism Productions)

I gave this Spanish act a high praising review back in 2018 for Ave Noctum, and was particularly enamoured by the hostility it waged, yet tinged with a desolation that fills you with dread. The question begging is whether multi-instrumentalist… Continue Reading →

Rexul – Erebus… Virtuous… Alpha… (FDA Records)

Just when I thought I couldn’t hear any more top-quality death metal in 2021, along comes German band Rexul with their debut album. Comprising of a duo, Benny Oprea and Simon Milizia, both ex-Diabolical Imperium with the latter also from… Continue Reading →

Rhapsody Of Fire – Glory For Salvation (AFM Records)

Since Mr. Turilli departed the ranks of Rhapsody Of Fire, about a decade ago now, it is fair to say that the horde of fans they have amassed since their formation over two decades prior felt like a hammer blow… Continue Reading →

Batushka, Belphegor, Diabolical, Almost Dead, Warhammer – Manchester, The Bread Shed 18/11/21

  My attempt to arrive for this gig at the insanely early door time of 6.15 was thwarted by the TransPennine traffic bedlam of a Thursday evening rush hour. I was keen to see the openers Greek melodic death metal… Continue Reading →

Sijjin – Sumerian Promises (Sepulchral Voice Records)

This bands name gave me pause to do some checking into it, I’ve no idea why, but on investigation it appears the name is of Arabic origin and there are potentially a number of interpretations but what seems to be… Continue Reading →

Monument Of Misanthropy – Unterweger (Transcending Obscurity)

Both the last album, ‘Anger Mismanagement’ and their last release, an EP titled ‘Capital Punisher’ were textbook demonstrations in clinical pummelling death metal with a slight tech edging. There has been a wholesale change in the line-up for the band… Continue Reading →

Damnation Festival – Leeds, University 6/11/21

With last year’s event cancelled due to covid, this Autumn/Winter festival is one of worldwide acclaim, where usually artists spanning the globe vie for spots on the bill. Many of the international artists ended up cancelling their scheduled appearance this… Continue Reading →

Doedsvangr – Serpents Ov Old (Debemur Morti Productions)

If you are familiar with this multinational band then you will also be familiar with the pedigree within its ranks, comprising of Shatraug (Sargeist), Doedsadmiral (Nordjevel), BST (The Order Of Apollyon) and ex-Tsjuder drummer and current member of Beaten To… Continue Reading →

Svpremacist – Meaningless Death (Repose Records)

Israel’s Svpremacist typify how black metal felt and sounded over three decades ago, their primal proto black annihilation has that dangerous feel, rancid, putrid riffing, a raucous production and savaging vocals are all at the core of this act, whose… Continue Reading →

Sulphurous – The Black Mouth Of Sepulchre (Dark Descent)

If you listened to this Danish bands debut album ‘Dolorous Death Knell’ from 2018 then you know that Sulphurous are one of the most horrifying death metal bands that has surfaced in recent years. Everything about that debut reeked of… Continue Reading →

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