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Author Ellie McGee

Once described (not inaccurately) as “strangely akin to a whack on the head”, I’m basically a cider-fuelled hobbit crossed with a glittery retrogoth Care Bear. Raised on an eclectic mix of English and Irish folk, Enya, The Beatles and a lot of old-school reggae; rock and metal happened to me in 1998, in the form of three life-changing albums: Mechanical Animals, Without You I’m Nothing, and Cruelty and the Beast. From there I ended up knocking around the Midlands unsigned scene, before getting talked into my first Download in 2006. The festival habit stuck, and over the course of more drunken weekends than I care to (or can) remember, I discovered the joys of folk, black, post, industrial and weird/niche metal in general (I blame Damnation for that last one). With the notable exceptions of Metallica and a bit of Maiden, I mostly bypassed the more mainstream metal bands, but I can talk your ear off about the likes of Alcest, Godflesh, Darkthrone, Satyricon, Orphaned Land, Årabrot, The Kovenant, amongst others. Non-metal favourites include Nouvelle Vague, Hatari, The Andrews Sisters and Janelle Monáe, so there’s a bit of pretty much everything lurking on my Spotify. Did a lot of press in a previous life, the pinnacle of which was watching Twisted Sister at Bloodstock with the slightly less wasted half of Korpiklaani. At a gig, can usually be found at the bar, making new friends in the ladies and/or smoking area, or getting a better view than you on the disabled platform.

Cécile Delpoïo – Tuolla (Self-Released)

As is unlikely to have gone unnoticed by anyone who’s read more than say…two of my past reviews, my favourite band of all time is Alcest, and has been for a very long time now. One of many reasons they’ve… Continue Reading →

Impure Wilhelmina – Dead Decades (Season of Mist)

Here’s your starter for ten: what do Serge Gainsbourg, King Crimson and The Cure have in common? In the immortal words of Jeremy Paxman, come on – we haven’t got all day. No? The answer is that they’re all covered… Continue Reading →

Finsterforst – Jenseits (AOP Records)

When an album description uses four existing genres and one made up by the band, chances are you’re going to be listening to something that is a) not as described (happens depressingly often when you review as many albums as… Continue Reading →

Dun Ringill – Where The Old Gods Play Act 1 (The Sign Records)

Quick question: what’s better than discovering a new band that have a lot in common with one of your favourite bands? Answer: discovering a new band that has a lot in common with at least two of your favourite bands,… Continue Reading →

Vinsta – Freiweitn (Eisenwald)

Before we get going on this album, I feel I should point out that the press blurb for this album caused some consternation when it appeared on the weekly press email, so I’m going to insert it below: “Melodic Death,… Continue Reading →

Deitus – Irreversible (Candlelight Records)

As someone who isn’t generally a fan of staying in the same genre for too long, I’ve ended up reviewing a lot of black metal albums lately. Which is fine in a lot of ways – it is one of… Continue Reading →

Plague God – New Veins for Old Blood (Fallen Temple)

Let’s not beat about the bush here. When your album title sounds this much it should already be a Darkthrone album, it’s safe to say you’re wearing your influences on your suitably grim sleeve. To delve further into the known… Continue Reading →

Tsjuder – Helvegr (Season Of Mist)

A lot of the bands I listen to (and thus review) revel in making music that is best described using formulae such as “Band A + Band B x Genre X = ???” because, well, I like my crossover shit…. Continue Reading →

Rise To The Sky – Two Years Of Grief (Meuse Music / Tragedy Prod)

Hello, and welcome to Part 2 of Out of my Wheelhouse, where I review new albums in genres I know little to nothing about. Today we have an atmospheric doom death album from Rise to The Sky, and while I… Continue Reading →

Stellar Circuits – Sight To Sound (Nuclear Blast)

This is part one of a somewhat unexpected mini-series of reviews I’m going to be working on this week and next, that is provisionally (and very much unofficially) titled Out of my Wheelhouse. This is because I have fairly wide-ranging… Continue Reading →

Heathen Kings – Fealty To None (S/R)

Holy not-what-I-expected Batman. Given the names of the artist, album, tracks etc involved, influences listed, I expected many things from this album, but pretty, gentle, fairly well-executed close harmony straight out of the gate was definitely not on that list…. Continue Reading →

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