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Author Ellie McGee

Once described (not inaccurately) as “strangely akin to a whack on the head”, I’m basically a cider-fuelled hobbit crossed with a glittery retrogoth Care Bear. Raised on an eclectic mix of English and Irish folk, Enya, The Beatles and a lot of old-school reggae; rock and metal happened to me in 1998, in the form of three life-changing albums: Mechanical Animals, Without You I’m Nothing, and Cruelty and the Beast. From there I ended up knocking around the Midlands unsigned scene, before getting talked into my first Download in 2006. The festival habit stuck, and over the course of more drunken weekends than I care to (or can) remember, I discovered the joys of folk, black, post, industrial and weird/niche metal in general (I blame Damnation for that last one). With the notable exceptions of Metallica and a bit of Maiden, I mostly bypassed the more mainstream metal bands, but I can talk your ear off about the likes of Alcest, Godflesh, Darkthrone, Satyricon, Orphaned Land, Årabrot, The Kovenant, amongst others. Non-metal favourites include Nouvelle Vague, Hatari, The Andrews Sisters and Janelle Monáe, so there’s a bit of pretty much everything lurking on my Spotify. Did a lot of press in a previous life, the pinnacle of which was watching Twisted Sister at Bloodstock with the slightly less wasted half of Korpiklaani. At a gig, can usually be found at the bar, making new friends in the ladies and/or smoking area, or getting a better view than you on the disabled platform.

Dystopia – De Verboden Diepte I: Veldslag op de Rand van de Wereld (Immortal Frost Productions)

Sometimes, when you review albums, it seems to take forever to pick apart a release enough to get some idea of where its creators are coming from. After all, a big part of reviewing – especially in metal – is… Continue Reading →

Korpiklaani – Rankarumpu (Nuclear Blast)

Back in the mists of time, in March 2008, I got sent an album to review, from a band I knew of, but didn’t know very much about at the time. I’m not even sure exactly where I was writing… Continue Reading →

Keygen Church – Nel Nome Del Codice (Metal Blade)

Dearly beloved, we are gathered here today to discuss the charming, weird, wonderful, obscenely talented musical singularity that is Mr. Victor Love. If you don’t know who that is, then let me explain: We start – a touch improbably –… Continue Reading →

Isenordal – Requiem for Eirênê (Prophecy Productions)

One of my favourite things about reviewing metal albums – and there are many – are those moments when you’ve spent so long poring over a single album that you’re temporarily sick to the back teeth of it and anything… Continue Reading →

Volcandra – The Way of Ancients (Prosthetic Records)

Another week, another instalment of The Weirder End of the Press List, and this time we have the many and varied delights of Volcandra, with their second full-length album, The Way of Ancients. Incidentally, this is also an episode of… Continue Reading →

Praise the Plague – Suffocating in The Current of Time (Lifeforce)

Before we get started, I’d just like to take a moment to appreciate what an absolute belter of an album title we have here. All of the age-old stereotypes (that are generally unfair, but also not necessarily inaccurate) about how… Continue Reading →

My Dearest Wound – The Burial (Tragedy Productions)

[Before we start: a significant part of the lyrical content of this album makes (non-explicit/graphic) reference to suicide, child abuse and self-harm, from the child’s perspective. I’ve mentioned but not quoted this in the review, so that readers can make… Continue Reading →

Kinit Her – The Nature Out There (Prophecy Productions)

Fittingly, given the weird and wonderful musical year I’ve had since I started writing for Ave Noctum, my last review of 2023 is as beautiful, weird and gloriously mad as they come. I try to come to new music with… Continue Reading →

Orphaned Land – A Heaven You May Create (Live in Tel Aviv) (Century Media)

Quick, name a band that far, far more people would be obsessed with if they could only be induced to listen to them, even just once. In answer, I give you the wait to get out of the main carpark… Continue Reading →

Blues for Neighbors – Funeral Piles and Gallows (Road Rat Records)

Having narrowly missed out on reviewing Wayfarer’s recent well-received American Gothic, I figured I was overdue for a bit of dark Americana, and here it is, in the form of Blues for Neighbors, all the way from erm, Poland. Yeah,… Continue Reading →

Ershetu – Xibalba (Debemur Morti)

There are certain areas of history, culture and the world in general that I maintain are criminally underexplored in metal of any flavour: the weird and wonderful world of spiders, the unsettling astrophysics of black holes and other intergalactic terrors,… Continue Reading →

Phantom Winter – Her Cold Materials (This Charming Man Records)

Two things jumped out at me about this release before I’d even listened to a single note of it. The first being that, after a good few weeks of mild meteorological chaos and temperatures going up and down like a… Continue Reading →

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