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Author Doogz

Though the late 80’s saw me vaguely interested in Iron Maiden, Def Leppard, Alice Cooper and Guns N Roses, it was Ice-Ts “Original Gangsta” shortly before my 13th birthday that REALLY helped rock and metal capture my imagination thanks to the Bodycount demo on said album. A logical leap to RATM eventually led to a wealth of aural delights via Metallica, Sepultura, Carcass, then Cradle Of Filth. My obsession with discovering more extreme sounds has led me to semi-competently poke at bass guitar in a couple of bands, and occasionally dabble in the dark art of music journalism. Over 30 years later I’m still “chasing the dragon” for the next band that’ll make my hair stand on end.

Sulphur Aeon – The Scythe Of Cosmic Chaos (Van Records)

‘Twas not so long ago on these very (digital) pages I was ripping into Paragon Impure for taking an idea that’d already been thrashed to death (Marquis de Sade) and beating it further still. Is it therefore hypocritical to sing… Continue Reading →

Stilla – Synviljor (Nordvis)

The etymology of the title being a rough translation from Swedish to “optical illusion”, this fourth album from Stilla is a suitably savage yet elaborate black metal affair. The contradiction of razor sharp guitar attacks complemented by warming keyboard tones… Continue Reading →

Spearhead – Pacifism Is Cowardice (Invictus)

A quick browse of t’internet tells us that Spearhead are from “southern England”, though we’re unable to identify specifically if they’re pointy-headed fucks from Cornwall, bumpkins from the West country, Mockneys from the home counties, toffs from Surrey, or wide… Continue Reading →

Paragon Impure – Sade (Ván Records)

A project which first saw the light of day in 2004 before being indefinitely shelved in 2009, Paragon Impure finally bring us their sophomore album. The debut album from way back in 2005 was little more than Darkthrone worship, and… Continue Reading →

The Order Of Apollyon – Moriah (Agonia)

Once upon a time, shortly after being founded by then Aborted frontman BST in 2008, The Order Of Apollyon were rounded out by stalwarts of the British underground. The band then underwent a merry-go-round of musician changes through the release… Continue Reading →

Outre – Hollow Earth (Debemur Morti)

Outre have been out of the spotlight since releasing “Ghost Chants” in 2015, and having finally recruited a full-time vocalist in 2017 now follow up on that debut. The guest vocals from Stawrogin on “Ghost Chants” were, frankly, stylistically all… Continue Reading →

Ultha – The Inextricable Wandering (Century Media)

Ultha have been playing their trade together since 2015, releasing two acclaimed albums alongside several EPs and split releases, and this quartet from Cologne now unveil their third full length. The six songs here span a mighty 65 minutes in… Continue Reading →

Slaegt – The Wheel (Van Records)

This month sees Slaegt launch their third full length in just four years. The Danish quartet project a quirky upbeat nature through their music, even on early releases which were more straight-forward black metal. “The Wheel” continues where last years… Continue Reading →

Monuments – Phronesis (Century Media)

Cards on the table up front: this isn’t really my cup of tea, but I’ll save the lecture on the merits of a subgenre that essentially steals the best bits of Meshuggah and At The Gates for another time. Moving… Continue Reading →

Behemoth – I Loved You at Your Darkest (Nuclear Blast)

No longer as prolific a studio band as they once were, the release of a new Behemoth album is considered a big deal given its scarcity over the past decade. The band are never been far from the public eye… Continue Reading →

Thron – Abysmal (Listenable Records)

Ah, the mid-to-late nineties. When Dissection were the daddies of melodic black metal, Cradle Of Filth hadn’t yet gone through that short but awkward novelty phase, Emperor were recording classic albums instead of cashing in on them with phoned-in reunions,… Continue Reading →

Blood Of Serpents – Sulphur Sovereign (Non Serviam Records)

Often a sophomore album will be a marginal evolution from what came before. There are notable exceptions where a band tear up the script and start again completely; Darkthrone being an obvious candidate. Blood Of Serpents haven’t exactly thrown away… Continue Reading →

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