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Author Andrew Doherty

I’ve been obsessive about music since the late 60s and early 70s when during my childhood in Grimsby I used to watch Top of the Pops and bought 7” singles after saving up my pocket money. I really switched to metal when I first heard Dimmu Borgir. The ambience intrigued me, and through magazines and concerts I discovered new territory in the late 90s. For preference I now listen to black metal, heavy progressive music, Scandinavian-style melodic metal and any style which has an edge, or is downright unusual or bizarre. I managed the band Devillish Impressions, which was an exciting time as we had an album but no label or distribution method. We got the label and a European tour with Aeternus, and as the promoter’s plane was delayed, I finished up setting up the band’s first concert in Hamburg on 28th November 2006. I wrote for a while for Live 4 Metal but switched to Metal Team UK in 2007. Like any real music lover, I enjoy going to concerts and meeting people with the same interest and commitment.

Goat Monsoon – Blue (S/R)

This quartet from Colchester, whose members offer “throat locusts, tang, dirt and pedals”, are purveyors of Garage Fuzz Rock. That’s what they tell us. As I set about listening to this 4 track live EP, what I heard reminded more… Continue Reading →

Steel Prophet – Omniscient (Cruz del Sur Music)

They are spoken of as potential heirs to Iron Maiden and Judas Priest, but Steel Prophet have frankly been around long enough to shape their own path and reputation. These Americans started out in the mid 1980s, since when they… Continue Reading →

Sinistrous Diabolus / Vassafor Split (Iron Bonehead)

Here are two tales of New Zealand’s darkest side in the form of a split album. First we have two tracks by Vassafor, starting with “Ossuary in Darkness”. It’s played in the spirit of black metal and makes such anarchic… Continue Reading →

Wrong – Pessimistic Outcomes (Xtreem Music)

Wrong’s previous album “Memories of Sorrow” (2013) presented an interesting angle on black metal so I hoped for more of the same when I picked this one up. Amid weird and wonderful noises, Wrong embark upon a creepy, crawly journey… Continue Reading →

October Falls – Kaarna (Debemur Morti)

October Falls’ work has always been close to nature. In more recent times, ambient reflection has given way to harshness and fire. “Kaarna” however harks back to acoustic days, giving us an “assemblage from nature mysticism, a sonic walk in… Continue Reading →

Theater of the Absurd – The Myth of Sisyphus (Graviton Music)

Welcome to the progressive world of Theater of the Absurd. This US band has been plying their trade since 2006 and seeking to express themselves in a way which reflects their take on modern progressive music and life in general,… Continue Reading →

Trepaneringsritualen and Sutekh Hexen – One Hundred Year Storm (Pesanta Urfolk)

This lengthy band name, which at first seems to be longer than the two tracks on the album, is in fact a collaboration of two bands. Trepaneringsritualen are an exponent of themes involving occult realms, while Sutekh Hexen, a black… Continue Reading →

Ondfødt – Hexkonst (Immortal Frost)

Ondfødt, not to be mixed up with Ondskapt or other similar-sounding bands, are from Finland. Listening to “Hexkonst”, they have spent their time listening to and absorbing black metal from Norway and Sweden. The heartbeat and majestic gloom which opens… Continue Reading →

De Profundis – Frequencies (S/R)

This London-based band made a positive impact at the recent Incineration Festival with their energetic display of technical blackened death metal. “Frequencies”, their latest four track EP following three album releases since 2007, features material from their set on that… Continue Reading →

Etta Zero – The Last of All Sunsets (Dr Music)

“I will touch the sky, spread my wings” is a lyric from this album’s title track which sums up where this band come from, musically speaking. Slightly clichéd but uplifting, Etta Zero’s songs are pop-orientated in structure, but with strong… Continue Reading →

Stille Volk – La Pèira Negra (Holy Records)

“It’s like village music” was the comment from the other end of the room where I was listening to this album. For sure “La Pèira Negra” sounds like a group of people have gathered with their multitude of mediaeval and… Continue Reading →

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