Your No. 1 Source For Extreme And Atmospheric Music And Film.

Author Andrew Doherty

I’ve been obsessive about music since the late 60s and early 70s when during my childhood in Grimsby I used to watch Top of the Pops and bought 7” singles after saving up my pocket money. I really switched to metal when I first heard Dimmu Borgir. The ambience intrigued me, and through magazines and concerts I discovered new territory in the late 90s. For preference I now listen to black metal, heavy progressive music, Scandinavian-style melodic metal and any style which has an edge, or is downright unusual or bizarre. I managed the band Devillish Impressions, which was an exciting time as we had an album but no label or distribution method. We got the label and a European tour with Aeternus, and as the promoter’s plane was delayed, I finished up setting up the band’s first concert in Hamburg on 28th November 2006. I wrote for a while for Live 4 Metal but switched to Metal Team UK in 2007. Like any real music lover, I enjoy going to concerts and meeting people with the same interest and commitment.

Todesstoß – Ebne Graun (I, Voidhanger)

I have it on good authority that Todesstoß’s previous album “Hirngemeer” was deeply dark and disturbing. This single track follow-up from musician, poet and painter Martin Lang promises something “more hallucinatory and mysterious”. We are transported to a gloomy and… Continue Reading →

Aversions Crown – Xenocide (Nuclear Blast)

Stand up and be counted. This grinding deathcore blast from Australia’s Aversions Crown comes with regulation brutality. Whispering tones linger behind the sheer violence and power of “Prismatic Abyss”. Pummelling and rapid fire-drums lead the murderous death growls but with… Continue Reading →

The Ominous Circle – Appalling Ascension (Osmose)

“A burning black sphere of sinuous torment” is the offer from Portugal’s The Ominous Circle. You may gather, correctly, that dark ambience is at the centre of this work. Chasmic voids and echoing deathly growls dominate “Heart Girt with a… Continue Reading →

Code – Lost Signal (Agonia Records)

This six track EP comprises three re-worked pieces from the 2015 album “Mut” and one from each of the Londoners’ first three albums. What’s noticeable about the first track “On Blinding Larks” is its lingering nature. It hangs in the… Continue Reading →

The Flight of Sleipnir – Skadi (Eisenwald)

This US band’s sixth album promises “extreme metal and polarising tension”. The essential framework, at least to start, is harsh reflective post metal recalling wildernesses and epic scenes. Large chords abound but the ferocious winds and indeed growls die down… Continue Reading →

Black Anvil – As Was (Relapse)

Black Anvil’s fourth album release promises similar ferocity to its three predecessors with added atmosphere and melody which New York bands in general aren’t really known for. Normally I’d expect gritty reality and broken teeth. “As Was” is not like… Continue Reading →

Terra – Mors Secunda (Code 666)

Living in Cambridge, I’d given up on the idea there were any decent local metal bands. It may have an international folk festival but it’s a metal desert. Of course there’s Fen, The Infernal Sea, Eastern Front, Black Polaris and… Continue Reading →

The Loom of Time – NihilReich (ATMF)

Paraded as a “novel blend of black metal, death metal and doom”, the publicity for this album draws in such names as Marduk, Immortal, Emperor, Candlemass and Angel Witch. It all sounds too much for me. Sure enough, the opening… Continue Reading →

Raspail – Dirge (Sick Man Getting Sick)

Raspail is a very interesting project. Formed by former members of Novembre, Klimt 1918, Psychotic Despair and Room with a View, they describe “Dirge” pictorially and vividly: “the old rural landscape all around Rome, cherished by the Romantic poets, with… Continue Reading →

Root – Kärgeräs – Return from Oblivion (Agonia Records)

Before receiving this album, I couldn’t have told you how many albums Root have released. It just seems they have been around forever. “Kärgeräs – Return from Oblivion” is in fact the band’s tenth. I own one of them –… Continue Reading →

Arcade Messiah – III (Stereohead Records)

I’ve been following the progress of John Bassett for a while now, first through a couple of releases from his Hastings-based band King Bathmat, then there was a solo album and now a third album from Arcade Messiah. What is… Continue Reading →

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