Your No. 1 Source For Extreme And Atmospheric Music And Film.

Author Andrew Doherty

I’ve been obsessive about music since the late 60s and early 70s when during my childhood in Grimsby I used to watch Top of the Pops and bought 7” singles after saving up my pocket money. I really switched to metal when I first heard Dimmu Borgir. The ambience intrigued me, and through magazines and concerts I discovered new territory in the late 90s. For preference I now listen to black metal, heavy progressive music, Scandinavian-style melodic metal and any style which has an edge, or is downright unusual or bizarre. I managed the band Devillish Impressions, which was an exciting time as we had an album but no label or distribution method. We got the label and a European tour with Aeternus, and as the promoter’s plane was delayed, I finished up setting up the band’s first concert in Hamburg on 28th November 2006. I wrote for a while for Live 4 Metal but switched to Metal Team UK in 2007. Like any real music lover, I enjoy going to concerts and meeting people with the same interest and commitment.

Kalmankantaja – Routamaa (Wolfspell)

All I got by way of description to go with this one was “atmospheric black metal, Finland”. Let the listeners decide for themselves. This is much better than all the flowery words that are often used to describe pieces of… Continue Reading →

Lento – Fourth (Consouling Sounds)

Thunderously industrial sounds resonate. An alarm is going. I think Lento are telling us that they’re very heavy. This band from Rome promises us a mesmerising, apocalyptic and mystical journey with their fourth album. There is no time for breath… Continue Reading →

NonserviaM – Archetype Obscure (Slaughterhouse Records)

Having witnessed at close hand a small part of the Malaysian metal scene recently, it was plain to see that bands and compositions over there are collaborative efforts rather than being the sole inspiration of one dominant individual. One of… Continue Reading →

Loch Vostok – Strife (Vicisolum Records)

Reading the band and personal histories of Sweden’s Loch Vostok is like a real life soap opera, with tales of “loss, stress, sorrow and chaos”. That’s interesting because in both recorded and live form, this is a band which puts… Continue Reading →

Weot Skam, Vigil, White Crow, and De Dang – Lokalhouz, Butterworth, Malaysia 18/11/17

Everyone’s bucket list should include a Weot Skam concert, assuming that is that you’ve heard of them. Well I had, and I was lucky enough to be in the right part of Malaysia at the right time in order to… Continue Reading →

Slowrun – Passage (S/R)

Subtle flavours are what I experienced on Slowrun’s albums “Prologue” and “Resonance”. Now, two years on, the Finnish instrumental band has released this EP in which to weave their ambient magic. The first of the two tracks takes us immediately… Continue Reading →

Ghold – Stoic (Crypt Of The Wizard)

One thing I learnt while reading up on this album is that there is a heavy metal store called Crypt of the Wizard in East London. Having spent hours and hours in record shops in my life, and picking up… Continue Reading →

Lustre – Still Innocence (Nordvis)

If I’ve read this right, this album is an antidote to the valueless world we live in, and a return to a world of innocence, if such a thing existed of course. The therefore appropriately titled “Still Innocence” is Sweden’s… Continue Reading →

Code – Under the Subgleam (Apocalyptic Witchcraft)

Not much to go on here as this EP lasts only 12 minutes, but the band themselves are well established with four albums. I was particularly impressed with “Lost Signal”, an EP released at the beginning of this year, which… Continue Reading →

Devlsy – Private Suite (ATMF)

Deep, reverberating sounds of a post black metal kind and a vocalist who sounds like he’s on his last legs … this is Devlsy from a sinister and depressive sounding place. As I got into “Corridors”, the first track of… Continue Reading →

Major Parkinson – Blackbox (Karisma)

Ground Control to Major Parkinson … actually, that’s not so inappropriate as “Blackbox” has a cosmic, cinematic feel. It is the Norwegian band’s fourth album, and comprises a collection of eerie sounds. It is the most experimental of experimental works…. Continue Reading →

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