The third album from Norwegian band Bismarck, the essential fare here is stoner doom with atmospheric post-rock, and “an uncompromising mix of sludgy riffs and psychedelic nuances”. “Vourukasha” is described as “a metaphysical journey through time and space”. The dark… Continue Reading →
Lethe comprises Anna Murphy, formerly of Eluveitie, and Tor-Helge Skel of Manes and once of Atrox. This project is described as “a melting pot of dark rock, pop, electronic, experimentation and metal, filled with a cold and harsh atmosphere, beautiful… Continue Reading →
Harvestman is the project of Steve von Till, the long-standing member of Neurosis. The pretext behind these “instrumental psychedelic reveries” is an otherworldliness born of names like Flying Saucer Attack, Fairport Convention, Tangerine Dream, Bert Jansch, Steeleye Span and Hawkwind…. Continue Reading →
This is the second album from this Portuguese trio, whose style falls into the category of post-doom-death-sludge. The band has been in existence for 12 years. Sound alert … that’s what the beginning suggests. A persistently dark beat and insistent… Continue Reading →
On the face of it, this one sounds right up my street and possible other people’s. Finnish trio Šamane specialise “dark halls of cold alternative rock, grieving tones and mesmeric soundscapes”. “Solstice” is their third album release. The minimalist deep… Continue Reading →
This Australian instrumental post-rock band has carved out a reputation for their music and also for their extensive touring and appearances at festivals across the world. I am familiar with the band’s 2017 album “Made of Breath Only”, since when… Continue Reading →
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