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Author Andrew Doherty

I’ve been obsessive about music since the late 60s and early 70s when during my childhood in Grimsby I used to watch Top of the Pops and bought 7” singles after saving up my pocket money. I really switched to metal when I first heard Dimmu Borgir. The ambience intrigued me, and through magazines and concerts I discovered new territory in the late 90s. For preference I now listen to black metal, heavy progressive music, Scandinavian-style melodic metal and any style which has an edge, or is downright unusual or bizarre. I managed the band Devillish Impressions, which was an exciting time as we had an album but no label or distribution method. We got the label and a European tour with Aeternus, and as the promoter’s plane was delayed, I finished up setting up the band’s first concert in Hamburg on 28th November 2006. I wrote for a while for Live 4 Metal but switched to Metal Team UK in 2007. Like any real music lover, I enjoy going to concerts and meeting people with the same interest and commitment.

Charun – Mundus Cereris (Third I Rex)

Sardinian band Charun, not to be confused with Finland’s Charon, are a post rock band. The fact that Isis’s James Plotkin mastered this album says much. After getting us firmly into the groove with a swampy start, “Malacoda” sends us… Continue Reading →

Chaos Invocation – Reaping Season, Bloodshed Beyond (WTC Productions)

This is the German black metal band’s third full album release. “Sinuous and serpentine black metal” is what we’re told to expect. Violence and rawness are what struck me about this work. I liked the old school style, which is… Continue Reading →

Unreal Overflows – Latent (Great Dane)

I’m not normally bothered about band names but I have to say that this year so far the quality of some of the names has impressed me more than the albums I’ve heard. First there was Questionable Blood Pressure. Now… Continue Reading →

Voidhanger – Dark Days of the Soul (Agonia Records)

I don’t know why it is that Polish death metal vocalists have the raucous tone of people who have indulged in large quantities of vodka and spent their time in smoke-filled rooms, but Voidhanger’s Warcrimer is the archetype of the… Continue Reading →

Poem – Unique (ViciSolum)

I know from seeing Poem play live that their brand of progressive metal is far-reaching and ambitious. “Unique” is the Greek band’s third album. “False Morality”, like everything that follows it, is a complex compendium of progressive metal. The dark… Continue Reading →

Ancst – Ghosts of the Timeless Void (Lifeforce)

Hands up those who want a spot of hardcore-infused black metal crust. Well, it’s perpetually gloomy outside so why not? “Ghosts of the Timeless Void” is Ancst’s second full album, supplemented by a number of Eps and split works over… Continue Reading →

Nydvind – Seas of Oblivion (Malpermesita Records)

I can’t exactly remember how I discovered Nydvind. I suspect I picked up one of their tracks from a sampler, which came with a French metal magazine. I do remember buying “Eternal Winter Domain” (2003). I played it to myself… Continue Reading →

OPHE – Litteras Ad Tristia Maestrum Solitude (My Kingdom Music)

Not much to go on here, but I did establish that OPHE is a one man avant-garde black metal outfit, and the one man likes people like DHG, Blut aus Nord, Manes and Anorexia Nervosa. So that’s good. As for… Continue Reading →

Horizon Ablaze – The Weight of a Thousand Suns (Leviatan Diger)

Avant-garde extreme metal albums seem to be following me around so far this year, and here’s another one from Norway’s Horizon Ablaze. “The Weight of a Thousand Suns” is a “journey through the human psyche and a deep dive into… Continue Reading →

Ataraxy – Where All Hopes Fade (Dark Descent Records)

This gloomily titled album starts off on a suitably dark and sombre note. As they tell us, it goes into death-doom territory but not quite. Such is “The Absurdity of a Whole Cosmos”, the instrumental opener of this second full… Continue Reading →

Howling Sycamore – S/T (Prosthetic Records)

Do sycamores howl? Well, seeing who is involved with this, they probably do. The name, which stuck out for me, was Davide Tiso of Ephel Duath. This told me to expect highly challenging, indeed weird musical patterns. But it’s not… Continue Reading →

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