Author Andrew Doherty
The man with a band, a choir and enough guest musicians to form a football team is back. Tom de Wit is nothing but prolific, but with that it must be said that he bursts with ideas, branching out from… Continue Reading →
The title of this album reflects the violence and bloodthirstiness of the public in Ancient Roman times when attending spectacles at the Colosseum. “Panem et Circenses” (Bread and Circuses) was how the satirist Juvenal described the absolution from thinking through… Continue Reading →
I reviewed both “Songs from the North” (2015) and “When a Shadow is Forced into the Light” (2019) by Swallow the Sun, and what impressed me was the control of mood and depth. “Moonflowers” is the band’s eighth full release,… Continue Reading →
The Osiris Club is a band I feel I ought to know something about. They’re from London, I’ve seen their name many times and I know they’re prog-orientated with other old-style strings to their bow, as it were. In fact… Continue Reading →
I missed the “full-blown cosmic and uniquely baroque” “Ex Cathedra” (2020) and indeed the two previous albums by this band. This album now “strives to bring attention to the beauty in the Ugly, the Sad and the Bizarre”. With Creature… Continue Reading →
Described as a cosmic free jazz orchestra, Zaäar are clearly not short of ideas as they embark upon this 90-minute journey. With the sounds of a saxophone, trumpet, synths, flutes, drums and electric bass, this always had the makings of… Continue Reading →
Coming from the same camp as sleepmakeswaves and We Lost the Sea, cinematically-inclined instrumental post-rock band clayhands – it’s all in the lower case – now enter the scene. I liked the symphonic start. With a patient build up, there… Continue Reading →
Dark underground black metal is the offering from Dutch band Kaeck, whose second album this is, six years on from their debut “Stormkult”. The occult, black magic and rituals interest them. The style is old school. The riffage is deep… Continue Reading →
Kayo Dot’s last album “Blasphemy” (2019) had me hanging onto every note. The discovery of this band was amazing. When you think that musicians have drained the creative pool like draining all the fish from the sea and there is… Continue Reading →
Plumbing the depths for their fourth album are Australian occult black metallers Moon. Atmosphere, atmosphere and atmosphere was what I was expecting from this one. Sure enough we’re plunged into an echoing violent world from the beginning. Haunting and distant… Continue Reading →
I don’t know anything about Cognos as a band and they don’t tell us anything, which is fine, but they do give a clue as to their style of music, which they state is a fusion of extreme metal, new… Continue Reading →
A bit of grand black-death metal laced with mania & madness, tension & atmosphere, frenzy & melody sounds ok, and that’s what Germany’s Horns of Domination are offering as their first full album release following a demo in 2015. Winds… Continue Reading →