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Author Andrew Doherty

I’ve been obsessive about music since the late 60s and early 70s when during my childhood in Grimsby I used to watch Top of the Pops and bought 7” singles after saving up my pocket money. I really switched to metal when I first heard Dimmu Borgir. The ambience intrigued me, and through magazines and concerts I discovered new territory in the late 90s. For preference I now listen to black metal, heavy progressive music, Scandinavian-style melodic metal and any style which has an edge, or is downright unusual or bizarre. I managed the band Devillish Impressions, which was an exciting time as we had an album but no label or distribution method. We got the label and a European tour with Aeternus, and as the promoter’s plane was delayed, I finished up setting up the band’s first concert in Hamburg on 28th November 2006. I wrote for a while for Live 4 Metal but switched to Metal Team UK in 2007. Like any real music lover, I enjoy going to concerts and meeting people with the same interest and commitment.

Tottumiskysymys – Live in Vuotalo (NCTMMRN)

This album is a live recording from January of this year of a concert from the Akusmata Polyphonic Festival at Vuotalo, a cultural centre in Helsinki. Tottumiskysymys are known for their electronic and experimental soundscapes and improvisations. The two previous… Continue Reading →

HamaSaari – Ineffable (Klonosphere Records)

Noting a progressive band on a label specialising in progressive music, I was struck by the following description of this band’s music: “Their sombre sound drifts listeners on a stormy ritual invoking images of a tide of raindrops falling from… Continue Reading →

Imperial Demonic – Beneath the Crimson Eclipse (Black Lion)

From Belfast and playing in the style of Swedish black metal, Imperial Demonic present their debut EP. You’d expect “The Furnace” to be fiery, and so it is. With riffage worthy of Dark Funeral and screams and horror to match,… Continue Reading →

Cursebinder – Drifting (Avantgarde)

“Unrestrained experimentation” is promised from this essentially black doom metal project from Poland. “Drifting” is the band’s first full album, following a self-titled EP release in 2020. My initial impression was of listening to early Omnium Gatherum. It’s fiery, relentless,… Continue Reading →

Vredensdal – Sonic Devotion to Darkness (Soulseller Records)

To this point, if you’d asked me to say what I knew about Green Bay, Wisconsin, I’d have said cheese, American football and cold weather. I now know that Vredensdal come from this city. The title of this, their fourth… Continue Reading →

Netherlands – Severance (Svart Records)

From New York City comes Netherlands, a heavy metal project with the label of heavy-progressive sludge, but given the lengthy multi-genre history of its creator Timo Ellis much more is promised. I had no doubts however that given the stated… Continue Reading →

Hatesphere – Hatred Reborn (Scarlet Records)

It’s been quite a while since I locked horns with Hatesphere. Once one of my favourite bands, the high point for me was their 2005 album “The Sickness Within”. This latest album, which is their 11th full release, actually has… Continue Reading →

Anarkhon – Obiasot Dwybat Ptnotun (Debemur Morti)

“Eight eerily hypnotic death metal nightmares” is how the label describes this album. Being Brazilian, I did check to see if the title of this album means anything in Portuguese but it doesn’t. The answer lies in the world of… Continue Reading →

Raksar, Satyagraha, Sick and Majura – Soundmaker Studios, George Town, Penang, Malaysia, 11/2/23

I only found out about this concert the day before as a result of a chance enquiry so my research into the bands I didn’t know about was therefore extremely limited. Whether research before live concerts is a good thing… Continue Reading →

Søstre – S/T (Loyal Blood Records)

Indulging in “dark melodic grooves … with the odd detour via psychedelic and stoneresque landscapes”, this five year old experimental black n roll band from Bergen in Norway delves into matters like the human condition and states of mind. Let’s… Continue Reading →

Phantom Fire – Eminente Lucifer Libertad (Edged Circle)

The points of reference here are Gaahls Wyrd and Krakow, from whom this band derives its members. Add in a couple of weighty Norwegian mates on session drums and twisted artwork duties, and you’ve got an introduction. Thrashing blackness is… Continue Reading →

Entheos – Time Will Take Us All (Metal Blade)

Some of the inspiration behind this album came about as a result of a serious scooter accident to a band member, which caused her to look at the fragility of life, and contrasting emotions from depression to gratitude. Not to… Continue Reading →

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