Cult psychedelic acid folk music from the 1970s? My eyes popped out when I saw the name Comus. Surely this wasn’t the same Comus who contributed a dark and dreamy track “Song to Comus” on a 99p label sampler “The… Continue Reading →
Talk of paranoid apocalyptic premonitions, dystopian nightmares and massive environmental destruction all point to a black post-metal remit, and this is what we get from the Norwegian band Lakei. The big chords, ponderous bass and thundersome heaviness recall earlier Cult… Continue Reading →
After 19 years Polish band Eternal Deformity are now releasing their fifth album. I haven’t heard the previous ones, but one thing is for sure. Pigeon-holing this style of music is not easy. I suppose avant-garde metal probably covers it…. Continue Reading →
Simplicity and intrigue appear to surround the unusually named Pigeon Toe, if their track titles are anything to go by. “The Man with the Cat” is not a regular track name but it’s clear that this isn’t a regular band…. Continue Reading →
I once watched an interview on a dvd in which Hetzer, guitarist and founder member of Polish band Asgaard, suggested that metal music does not have to be for people of limited intellect. I took this as more of a… Continue Reading →
I shall start with a bit of history. If you want to read directly about “Simulacra”, please go to paragraph 4 as they say on forms. My first encounter with Devilish Impressions was on 13th June 2004. I met the… Continue Reading →
“Come Hither O Herald of Death” is the latest and third release from Singaporean band Absence of the Sacred. To learn some more about the band, the new release and other matters, Andrew Doherty interviewed guitarist, vocalist and lead member… Continue Reading →
Referring to the fact that there are only four boats per week in winter from their native Isle of Eigg in the Hebrides, one of the band members of The Massacre Cave commented “if one is cancelled and we have… Continue Reading →
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