Author Andrew Doherty
Introduction and Friday 6th October And so we’re back. It continues to puzzle me why I like this progressive lark, and in fact I’ve been coming to the conclusion that I probably don’t. Yet I keep coming to ProgPower Europe… Continue Reading →
Laster’s previous and third album “Het Wassen Oog” (2019) impressed me greatly. Black, atmospheric and experimental in a way that different styles were infused but all haunting, spooky and strong on deep psychological disturbance. The Dutch outfit are clearly a… Continue Reading →
Linus Klausenitzer is a musician of considerable renown, but in metal circles is best known for his previous participation as 6 string fretless bass player with Obscura, and as co-founder of the bands Alkaloid and Obsidious. “Tulpa” is his first… Continue Reading →
One of the band members equates the opening pieces of this album to differing and developing landscapes. I translate that as soundscapes. It’s evident that Virta’s self-proclaimed atmospheric and cinematic music is geared to working with sounds, hence I suppose… Continue Reading →
Not really knowing what “baroque black metal is”, I discovered early on that it is a turbulent and frantic adrenaline-related offering at least according to Sühnopfer who throw the kitchen sink at it with odd folksy touches, while adding some… Continue Reading →
This is the second album from Norwegian doomy atmospheric post metal / sludge band Dwaal. Known for their live performances, this album came out following Covid disruption, problems at the recording facilities, and various personal issues. But it’s out now,… Continue Reading →
Silence is not what we get from Rorcal, whose world is heaviness, dissonance and industrially haunting soundscapes. 17 years on from forming, this is the Swiss band’s sixth album release. Crumbly destruction stands at the centre of the opener “Early… Continue Reading →
Around 26 minutes of tech slam with sci-fi horror scenes is upon us from US band Wormhole. Let the onslaught begin. What I immediately liked about this was the distortion and eerie sound backing. My one small criticism of this… Continue Reading →
Psygnosis have been prolific since starting out in 2009, releasing six albums including this one. Their style being described as “atmospheric extreme metal with hints of electronic music, the band comes from the French town of Mâcon, which for those… Continue Reading →
With members from Triptykon, Obscura, Dark Fortress and Obsidious all contributing, this is an interesting band and one which reflects their different styles. Progressive extreme metal is how it gets billed. In existence for 10 years, this is the band’s… Continue Reading →
Modern cybergrind? The discovery of this album by Blind Equation out of Chicago suggests something colourful. What we’re being offered has influences in grind, atmospheric black metal, 8-bit electronics and Eurotrance. Quite a ride, then. Or as they have it,… Continue Reading →
Following up on their 2020 album “The Great Demise” this Swedish band has branched out from its core death and back metal mix to incorporate keyboards and in doing so enhance the scope and drama of their offering. Quoted influences… Continue Reading →