So, we are all are more than well aware by now of the infamous split of the original Batushka, and the complicated and complex arguments that have ensued since, but leaving all that aside and concentrating solely on this new release from the mighty Batushka, it has to be said we have well and truly been treated with this one.

It follows pretty much the same route that we accustomed to with a Batushka release. Furious and aggressive black metal is morphed with tinges of melodic and thought-provoking atmosphere

Царю Небесный translates as Heavenly king and in black metal terms this may just be describing this effort from the Batushka camp. The EP is impressive and batters its way from start to finish. There are the expected blast beats scattered throughout the tracks and also guttural roars and haunting shrieks a plenty, all overladen by strategically placed chanting in order to gain as much atmospheric tension as possible.

Tracks are punctuated with orchestral scores and are melodic and rhythmic throughout. The package is split into six chapters and these are simply named Pismo followed by the corresponding number in relation to its position in the album. Pismo I is sombre and starts at a modest doomy tempo, oppressive in its nature and utilizing a slight and frail guitar riff in its makeup.

Pismo II is energetic and furious with manic riffs and tight speedy drum work. The atmosphere is built on with captivating chanting from what can only be described as haunting and rhythmic aural tones. Pismo II is the gateway to the rest of the release in terms of the controlled aggression and vitriolic intent.

Pismo III continues in the same vein with full on riffs and a pace that is venomous and caustic. The speed generated is one to be marvelled at with the bass riffs causing a backbone to be forged which helps keep the track grounded and solid in its appearance.

The album turns to its second half with Pismo IV and this is more stripped back and lonely. The ferocity is still there, just more at a chugging pace. It is measured and delicate in the placement of the stringed chords but the vocals are spat out with spite and poison.

Pismo V opens with secluded guitar chords which are melancholic and are soon joined by absolutely majestic and royal indistinguishable vocals. The vocals are enough to send chills down the spine and this is only exacerbated when the original vocal is joined by an earthier and deeper chant which works in exclusive tandem to create a mesmerizing and fragile track, unique to itself

The album is rounded off in a dirty and Luciferian fashion. Pismo VI is not as fast as previous tracks but expresses more power and belief than its predecessors. The track is crushing and mid track it turns on itself and steps up a level with more ‘chanting’ type vocals, down tuned in order to create a depressive yet spiteful delivery. Once the track is complete you are left with an air of being beaten and burnt.

Heavenly king is more a thinking album then previously seen from Batushka, but that doesn’t deplete from the aggression and depth on show here.

Get this and get it now, you will not be disappointed

(8/10 Phil Pountney)

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https://batushka.bandcamp.com/album/carju-niebiesnyj-heavenly-king