Sausages – traditionally, a smashed pig piped into its own stomach lining. Pig – the food that the whole western world devours with such gusto. Bacon, ham, pork chops, sausages. That “wonderful, magical animal” that Homer Simpson refers to when contemplating such a variety of tasty offerings. What an album title, then, to make folks sit up and get heads moving. The carnivores amongst you will all be nodding them savagely, whilst meat-abstainers worldwide may well just sadly shake them. End of the day, there’s nothing to argue about. This sizzles either way.
Now, You’ll probably, like me, struggle to identify a fair few of these songs but I think it’s fair to say that they weren’t ever going to be straight-up reproductions. This is The Melvins (the “The” is silent here), after all, linking their influences and favourite tracks together, throwing their eccentric nous, twisted musicality and a few friends into the mix and emerging with an assorted jumble of flavours that should get your tastebuds churning.
Initially, Everyone Loves Sausages hits hard and heavy with Neurosis’ Scott Kelly guesting for a tear-up of Venom’s “Warhead”. It’s mighty vocal lead will have heads bobbing and horns up. Soon though the band shift gears to relocate to something a little less gritty. Appeasing their rock and pop urges, they plump for The Fugs’ “Carpe Diem”, complete with its original warm 60s wash and jinking vibe and the stonking all-in rocker “Black Betty” (Ram Jam). There’s also a grating rendition of Queen’s “Best Friend” with tacked-on, plinking electro-fizz which Melvins develop, flesh out and turn into a hacked rendition of “Heathen Earth” (Throbbing Gristle). Sadly, they do take it a step too far with a 3-minute intro of gruesome ambient noise which kicks-off a preciously reedy version of Bowie’s “Station To Station”.
When they do find their punk muscle, they really set about tearing shit up for a twisted, rough-and-ready rip of The Jam’s “Art School”, complete with ex-U.S. marine Tom Hazelmyer’s anarchic Mockney accent causing much hilarity. There’s also “Timothy Leary Lives” (Pop-O-Pies) and a snotty-nosed cover of The Kinks’ “Attitude” (featuring Blondie’s Clem Burton) to gob all over.
Album highlights are undoubtedly Mudhoney’s Mark Arm giving his all to grunge-up “Set It On Fire” whilst, at the same time, giving The Scientists’ original a run for its money, and a big-bass, lush, loping, bluesy version of “Female Trouble”, the theme music to the infamous movie of the same name.
Refusing to completely ditch the impact of the originals, Melvins have stuck pretty close to the same tones and textures for the majority of the tracks here, but that’s not to say they aren’t worthwhile renditions. Not by a long chalk. There’s plenty that will provide some shocks and maybe a little awe. Some undoubtedly squeeze out above the others, but the whole, with its mainstream classics and underground rarities, stands proudly as a fair representation of the Melvins’ wide and varied record collections. In many ways, a true alternative Best Of The Melvins. Hungry, anyone?
(7/10 John Skibeat)
26/04/2013 at 3:57 pm
WIN!