This one man black metal outfit that is Exsequor is very clear about his music and purpose. He reveals that he is interested in Medieval history and his influences are Bathory, Satyricon, Primordial and Emperor. I actually sensed the strains of Burzum in the opening bars of this 4 track EP on account of the sweeping black clouds with the touches of merciless melancholy. The smoothly harsh vocals are suitable for the subject, which is that of a man dying. The fire-filled anguished torment continued on “Fyrdmann”, another dark and reflective epic piece. The occasional sound of a choir or guitar disturbs the relentless onslaught. What is already slow becomes reduced to near funeral pace on “Oubliette” before picking up in defiant fashion. “Pastoralis Praeeminentiae” is again furious in a controlled way. A choir hums imperiously above triggering drums. There’s a change in vocal but the sense of horror and grimness remains coupled up with the music. The message is consistent.
The musician responsible for this work who goes by the name of Celentium knows how to create an overwhelming aura of darkness and tragedy. I hesitate to call this a tribute, but it has been done before and it’s a bit of a check-list of black metal attributes but “For the Fallen” is strong and speaks for itself. Celentium whips up a furious storm. I wouldn’t have got the passion for Medieval history other than the reference to torture at the hands of Inquisitors but there is a constantly venomous atmosphere here which paints the most bleakest and most violent picture of despair. I’m sure Quorthon would approve.
(7 / 10 Andrew Doherty)
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